Other Source Component Reviews

As I unboxed this month's Spotlight System, I flashed on the innovative histories of Marantz and Snell Acoustics. Saul B. Marantz was a bona fide American audio pioneer in the 1950s and 1960s. His company's electronics not only sounded amazing, they were drop-dead gorgeous. Maybe that's why Marantz's early designs regularly sell on eBay for more than their original prices. Peter Snell was one of the brightest speaker designers to emerge in the mid-1970s. Back in the day, I owned a pair of his first speakers, the Type A, and had many conversations with Peter about music. In those simpler times, Saul Marantz and Peter Snell could launch their companies armed with not much more than a driving passion to produce great audio gear—and the inspired engineering to make the dream real. Best of all, both companies still adhere to their founders' perfectionistic traditions.

The first car I owned was a VW Bug that cost a whopping $500 in 1986. It wasn't the prettiest car on the block, but it got me from Point A to Point B. When Toshiba's first generation HD-A1 HD DVD player arrived on the scene it reminded me an awful lot of that trusty old bug: slow, ugly and clunky, but once the movie started to play, the picture was so outstanding that I could forget it's little quirks. Oh yeah, and it cost a cool $500 as well!

People seem to love bashing the last great format war—SACD versus DVD-Audio—in which, of course, there was no real winner. My personal opinion has always been a little different. I consider it a unique pleasure to bask in the warm embrace of 5.1 high-resolution channels of some of the best popular music ever. I continue to do this, as I always have, by way of an affordable universal disc player, as one could fairly call it in the days before HD DVD and Blu-ray. I'm glad to see that manufacturers are still supporting the high-resolution audio formats, helping the consumer take advantage of all the great software currently available, much of it heavily discounted in the aftermath of the conflict.

There's probably a smug look on the face of the cynics among us right now. You know, the types who are so negative about the format war that they're willing to ignore the fact that we not only have high-def on a disc, but we have the best HD we've ever seen and heard, period. And Toshiba, which launched the HD DVD format with two players in Spring of 2006, released its second generation players in December and January, with not even a full year in between the two generations.

• $599
• Digital Video Output: HDMI
• Video Upconversion: 720p, 1080i
• Audio Decoding: DD, DD+, Dolby TrueHD, DTS
• Ins and Outs: HDMI, others TBD
• Feature Highlights: 2nd gen HD DVD player with 1080p output, full Dolby TrueHD decoding, upconverting HDMI and component outputs for standard-def DVDs

HDMI is a wonderful invention filled with promise. When utilized to its fullest, it can offer the best of both worlds: uncompressed audio and video signals and intelligent, two-way communication over a single cable. Manufacturers have long teased us with talk of complete home theater systems that you can set up using just two or three cables, but the reality has fallen far short of the promise. Most designers have used HDMI only as a top-grade video connector, paying little attention to its audio and communication abilities. Armed with the new HDMI 1.2a spec (the products here were designed and released before 1.3 was finalized), Panasonic is aiming for the ultimate in connection and control with their new EZ Sync HDAVI Control products.