Editor's Eye

It’s hard to believe 40 years have passed since John Lennon was fatally shot outside his home on Manhattan’s Upper West Side on this very day. We’re marking the anniversary of Lennon’s untimely passing with a review of the new Gimme Some Truth: The Ultimate Mixes box set and Matt Hurwitz’s story on the production of tracks remixed in stereo, 5.1, and Dolby Atmos.

TAP, TAP, TAP. . . is this thing on? We’re back! If you’re a print subscriber I’m sure you’re wondering what happened to the June/July issue of Sound & Vision so here’s the deal.

Looking over the list of products that earned a Sound & Vision Top Pick award in 2019, one entry towered over the others: JVC’s DLA-NX9 D-ILA projector. Congratulations to JVC for a job well done in being selected as S&V’s overall Top Pick for 2019!

In May I had an opportunity to attend High End in Munich, Germany, an event considered by many to be the world’s leading hi-fi show. It was the second consecutive Munich show I had attended, and this one was even more bustling with activity than the last. While the show does provide trade-only days, it’s primarily a consumer-focused event — audiophiles from all over Europe flock in to look at and listen to the latest gear, much of it on active display in rooms that pump out nonstop music.

A persistent theme I’ve observed in recent articles from several long-time Sound & Vision contributors is a sense of unease over the encroachment of AI (Artificial Intelligence) into the traditional consumer electronics space.

As someone who has spent the past two-plus decades writing about and reviewing TVs, projectors, and associated gear, I have to say that the addition of high dynamic range to video is among the more impressive developments I’ve encountered. Not since high-definition TV took over the airwaves back in 1999 and then made its way to Blu-ray (and HD DVD) discs a few years later have video enthusiasts been treated to such a massive leap in visual quality. Oh right, there was the launch of Blu-ray 3D back in 2010, a format that required a new player and TV, goggles, and a 50 percent hit in screen brightness, but…oh, never mind.