Clockwise from top left: Josef Krebs, Mike Mettler (right) with Graham Nash, Tom Norton, David Vaughn, Chris Chiarella with the comedian Gallagher.
A recent reader comment on this site gave high praise to the magazine’s AV equipment reviews, but then went on to condemn our “weak” attempts to review movies on Blu-ray disc. The gist of the message was that movie disc reviews are best left to websites that can cover them on a timely basis, as opposed to the weeks or even months that it can take for Sound&Vision to turn out reviews of the same titles.
Our “Flashback” feature “Speaker Cables: Can You Hear the Difference” (link below) offered as part of the ongoing celebration of our 60th year, is a juicy tidbit from 1983 that proved one of the most controversial articles in our predecessor Stereo Review ’s history.
The Technology changes, but the goal remains the same.
In prepping for the May print issue’s focus on front projection, I found myself philosophizing on the value of having a big image for viewing movies, TV serials, and sports. Not just big, but really big.
Audio had Loof every April, but Stereo Review had Rodrigues all year long.
In preparation for our April print edition , and in search of a subject for our retrospective flashback feature, I pressed deep into our 60-year archive for hints of the origin of Lirpa Labs and its mysterious, opinionated, and wildly creative founder, Loof Lirpa.
A recent visit to The Bethel Woods Center for the Arts, site of 1969’s Woodstock Music & Art Festival, inspired me to dig into the stored archive of our magazine as we set sights on our 60th anniversary year. And what a library it is. Sound & Vision was founded in February 1958 as HiFi & Music Review, when the big news in audio tech was the transition from mono to stereo.
A couple of emails we recently received got me thinking about our current state of audiophile affairs. One, from Paul Thiel of Crescent Springs, Kentucky, headlined “The Great Equalizer,” asks whether the disappearance of standalone graphic equalizers from the home audio market, along with the jacks to connect them, was the result of automated room EQ coming to bear...or perhaps proof that manufacturers were mistaken in the notion that consumers were interested enough in audio to want to tailor the frequency response of their systems.
If you ever wonder what the geeks at Sound & Vision do when we’re not listening to new speakers or tuning up video displays, well, we’re probably debating some arcane technical detail that most non-enthusiast mortals would neither understand nor care about. And so it was that a rather fired-up exchange of e-mails occurred recently between myself, video technical editor Tom Norton, and our contributing technical editor Kris Deering.
Last June, I was invited to a press tour and demo of a new IMAX VR Experience Center in New York City. The company best known for entertaining big audiences with big screens had created a space in the lobby of a popular AMC multiplex on Manhattan’s East Side to deliver one-on-one virtual reality entertainment to walk-in customers. It was their second such facility, after a standalone pilot location in Los Angeles.
I love that time of year when, after a couple of false starts and brief teases, the persistence of winter finally breaks for good and the soft breezes of spring arrive. That’s a decidedly northern experience, of course, one that some folks eventually move south to get away from permanently (well, the winter that precedes it, anyway), and which others have never known because of their origins in warmer climes. I get it — I’ve got family all over the country and have spent plenty of time out west and in Florida, and I see how a guy could get used to it. But the New Yorker in me thinks those folks are missing out. If you haven’t struggled through a winter, even a mild one, you can’t fully appreciate the fleeting beauty of a spring and summer in the same way. You need that frame of reference. It makes being outside that much better.
In what appears to be an ongoing trend, LG took top honors Thursday at this year's TV Shootout at CE Week in New York. This marks the 4th consecutive year that LG's current top OLED model, this time the 65-inch E7, was declared the annual "King of TV" — a title even more deserving than in year's past thanks to the set sweeping all three of the judging categories.
But despite what by now seems like a familiar or expected result, this year's event was more competitive and interesting than in recent years, with at least one set that very nearly equaled the LG, and others that failed to come as close as we'd have expected.
In a recent post I chided manufacturers for releasing Wi-Fi-based speakers that failed to perform reliably. But then I began to wonder about the role of our Wi-Fi networks and whether the demands of these new products are outpacing the capabilities of today’s “average” network. Ravi Rajapakse, founder and CEO of Blackfire Research, sheds some light on the subject…
Rob Sabin | Jun 12, 2017 | First Published: Jun 13, 2017 |
The company best known among cinephiles for entertaining big audiences with big screens and big sound has gone the opposite way with its latest big idea: Virtual reality (VR) centers to provide one-on-one entertainment to walk-in customers at cineplexes and other venues nationwide.