It’s not new but Steinway Lyngdorf’s S-15 remains stunning in its aesthetic and technical design. Visually, this tiny treasure has little in common with your garden-variety box speaker—nor should it, considering its pedigree. For starters, it’s 10 inches tall, 8 inches wide, and only 3 inches thick—or about a half-inch wider and an inch thicker than the 1997 Webster’s New World College Dictionary collecting dust on a shelf in my office.
You can make all the excuses you want, but there’s really no good reason these days for not enjoying some form of A/V entertainment outdoors, whether you’re listening to music or watching a video in your backyard, at the park, or on the beach. Allow us to inspire you with a dozen products guaranteed to enrich your outdoor experience…or adventure.
ATSC 3.0 is hailed by its proponents as a revolution in technology that will transform TV broadcasting by bringing together internet and over-the-air signals with a common IP backbone. We reached out to Mark Richer, president of the Advanced Television Systems Committee, to learn more.
As much as it might look like it, this is not your father’s long lost amplifier—the one you remember sitting on a rack in the den next to the Dual turntable and AR-3s—recently discovered in a remote corner of the attic. Nope, behind those vintage VU meters is a thoroughly modern USB DAC/integrated amp designed for the post-analog age or, more specifically, the Age of Hi-Res Audio. Simply put, Teac’s mission with the compact AI-503 is to preserve the fine details and nuances of your carefully curated music collection, whether you’re pulling tunes off your home network, a USB thumb drive, or a digital audio player.
Stereo consoles were all the rage in the ’60s. Every major TV company sold them—some with an integrated 25-inch screen, some without. Many were imposing pieces of furniture placed front and center in living rooms across America. I have vivid memories of paying $3 or $4 for my first album at the long-gone Jersey-based chain store Two Guys and promptly replacing the Engelbert Humperdinck LP on the platter of our Zenith console with Abbey Road.
15 Minutes with the Society for Information Display’s Dr. Taka Tsujimura
To commemorate the 30th anniversary of the OLED display, we reached out to Dr. Taka Tsujimura at the Society for Information Display (SID) to discuss the past, present, and future of a TV technology whose future looks nearly as bright as it did three decades ago when researchers cobbled together the first practical OLED device.
When a music aficionado moved into his newly renovated 2,500-square-foot home in New York City’s trendy Soho neighborhood, he wanted crisp, clear sound and a way to easily control music and lighting throughout the house, so he hired a Manhattan-based audio/video design firm to make it happen.
AT A GLANCE Plus
Elegant design
Impeccable build quality
Compact form factor
Terrific sound quality
Minus
Limited streaming options
Expensive
THE VERDICT
The Mu-so Qb is pricey, but it’s impeccably built, offers a number of wired and wireless playback options, and is one of the best-sounding compact wireless speaker systems I’ve heard.
I was trolling for high-bit-rate internet radio stations when I stumbled upon Incubus performing “Love Hurts” on Alternative Times Radio out of Prague. I’d never heard the song before but was immediately captivated by the richness of Brandon Boyd’s voice and how realistic the kick drum and snare sounded. And the stream was only 128 kilobits per second…
AT A GLANCE Plus
Impeccable fit and finish
Streaming via Wi-Fi and Bluetooth
Excellent sound
Solid bass
Remote control
Minus
App could be more intuitive
Wish there was a display window
THE VERDICT
The Three melds retro style with modern sound in a beautifully crafted tabletop stereo.
I’m not gonna lie. When I first saw a press photo of the Three, I was immediately taken with its elegant retro styling—the wraparound grille, the walnut top…those copper control knobs. I wanted one.
Evoking what Klipsch calls the “mid-century” design legacy of its late founder Paul W. Klipsch, the Three boasts impeccably finished walnut panels, a knit grille, and a copper strip with two knobs—one
for volume, the other for source selection—plus something you don’t expect to see on modern gear: a toggle switch. Positively retro. Behind the classic façade is a stereo pair
of 2.25-inch drivers that flank a 5.25-inch woofer. Klipsch has also incorporated two 5.25-inch passive radiators—one on each end of the enclosure—to boost bass output.
You may not have heard of Bruno Putzeys but if you’re an audiophile and have purchased a high-performance power amplifier in the recent past, you might know his work. Putzey’s ground-breaking NCore Class D amplifier module, created under the aegis of Netherlands-based Hypex Electronics, is used in amplifiers from ATI, Marantz, Jeff Rowland, and Bel Canto, to name a few. That Morris Kessler, founder of ATI and long-time champion of Class AB amplification, chose NCore for his new AT527NC and AT524NC amplifiers, is telling. Both models received Sound & Vision’s Top Pick designation, earning five stars in the Performance category, suggesting designs that are a far cry from Class D devices of just a few years ago. We tracked down Putzeys, now CTO at Kii Audio, to learn more about the new Class D and the apparent revolution he has started.