Geoffrey Morrison

Geoffrey Morrison  |  Aug 31, 2012

I've been playing Counter-Strike for 13 years. Not continuously, mind you (that would be weird), and less and less as the years go on, but thirteen years. Wow.

So much has changed. Back then I was a bald writer, avid pc gamer, and lover of classic cars. Now I'm... hey, wait...

Perhaps it's fitting that C-S, with its latest iteration C-S:GO, hasn't changed a bit either, save for a polish and some softer edges. Softer edges. That's what we have in common.

Geoffrey Morrison  |  Aug 27, 2012

I'm ashamed. I must embarrassingly hand in my nerd card.

This month, for only the second time in my adult life, I purchased a computer. No longer can I haughtily proclaim "well, I build my own PCs." Gone is the geek-cred I felt enshrined me as an elitist in the elitist world of PC gaming. But it had to be done, and I'll tell you, it's awesome.

So let me save you some money, and go through the various bits of the PC I bought, so you know where to spend your money on a PC you might buy, or want to build yourself.

Geoffrey Morrison  |  Aug 24, 2012

There are few things more powerful than the perfect combination of music and visuals. Think of your favorite movie scenes, and I’d be willing to bet they’ve got amazing music in them.

On one hand, you’ve got the great film composers; Herrmann, Goldsmith, Williams, and so on. They’re all worth study in their own right, of course. But what I find equally powerful, and arguably more interesting, is the effective use of popular music.

Interesting, because often, directors (and presumably, music supervisors) get it so horribly wrong.

Geoffrey Morrison  |  Aug 23, 2012

I love big screens. Really big screens. 60 inches? Pshhh. 65? Ha! 70? In a pinch. 80? Okay, wow, now that’s a seriously big TV. A monolith of a height and breadth that brings to mind projection screens of yore. Wait, forget “yore.” It’s closing in on projection screens now.

Geoffrey Morrison  |  Aug 18, 2012

This is an article I never thought I’d write. I sold hi-fi (well, Circuit City’s version of “hi-fi”) within sight of The Mountain. I developed early an audiophile’s distain for the four-letter marketing juggernaut. When I began reviewing audio, I couldn’t imagine a situation where I’d review a Bose product. Certainly not something like the market-leading QuietComfort 15 noise-canceling headphone,  Not without heavy doses of irony, snark, and derision.

And yet, it is my fiduciary duty to give credit where credit is due.

So behold — not only my first review of a Bose product, but a positive one at that.

Geoffrey Morrison  |  Aug 16, 2012

It’s hard to believe Team Fortress 2 is 5 years old. I remember waiting breathlessly for the Orange box to come out, unable to decide which game I’d play first: TF2 or Episode Two of Half-Life. There was also some puzzle game included as a bonus, but puzzle games are lame.

Three days of nothing but the amazing Portal have since proved that last thought incorrect, but over time I came to love Team Fortress 2. I was shocked, in preparation for this review, that I hadn’t played in almost a year. Thanks Steam for making the passage of time so blatant.

Last summer Team Fortress 2 went free to play, and to mix things up (and get some players back, no doubt), they’ve added a new mode: Mann vs. Machine. It’s pretty awesome.

Geoffrey Morrison  |  Aug 13, 2012
TVs are lonely. A beer-soaked barstool at 2 a.m. kind of lonely. They cry out for companionship, their tinny, bass-less voices difficult to hear, even harder to enjoy. When they were young, they held so much promise: high definition, good times, low cost. How quickly came the onset of disappointment?
Geoffrey Morrison  |  Aug 10, 2012

The Internet has allowed millions of creative people to offer their works to the world, without the gatekeeper of traditional publishing.

This can be good and bad. There’s good in that there are fewer roadblocks for creative people. The bad in that without that gatekeeper, there’s no “pre-check” of quality. Not to say that everything from a publisher is good, just that the assumption is that somebody looked at the thing before it went out. Without this initial eyeballing, how do you sort through the slag to find the gems?

Enter: Bundles.

Geoffrey Morrison  |  Aug 06, 2012

I have been saying for ages that the only thing that matters in a tablet is the available content: What can I download to the device, and watch on a plane, train, automobuggie? Everything can stream Netflix, surf the web, etc. The number of downloadable TV shows and movies is by far the most meaningful difference between tablets.

The assumption: iTunes and Amazon offer so much more content, the other services - and thus, tablets that aren't iPads or Kindles - are pointless.

Is that assumption correct? Or more to the point, how can you tell?

Geoffrey Morrison  |  Jul 27, 2012

I have been a vocal hater of the "free" music service Spotify. The infinitesimal amount they paid for each song, to me, was a slap in the face to musicians everywhere. You can read my original rant on why I think Spotify is unfair, and the follow up where I recant slightly and recognize Spotify has some redeeming qualities.

Not that I ever expected it to go away, but far too many people love the service, including musicians. So I give up.

Sort of.

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