If there’s a sweet spot for home projector prices right now, it would be $3,000 to $3,500. Over the past few months, we’ve reviewed excellent projectors in that range from Epson and Sony, and promising, similarly priced offerings are also available from JVC and other manufacturers.
Once an LCD projector staple, Mitsubishi made the switch to DLP a few years ago. On paper, its HC7800D ticks all the right boxes: 3D-capable, full-glass lens, and all the other bells and whistles.
But that’s just on paper. So we figured we’d test it for real, right here... on paper. Eh, you get my meaning. Behold, the HC7800D!
Manufacturers are finally making a big push to position the TV as the central hub it was always meant to be. Case in point: LG. Not only does its 55LM7600 feature the company’s excellent Smart TV interface, but it also has a Web browser, multiple USB inputs to attach flash or hard drives, and more. This 55-inch set represents TV/computer convergence driven from the TV side, complete with a gorgeous, computer-style icon-based interface and a “Magic Remote” that works like a wireless mouse.
There’s a coffee cup on the remote, an icon unmistakably a cup and saucer. Maybe it’s tea. It’s the largest button. It’s backlit. It might be taunting me.
So begins my time with the Epson MegaPlex MG-850HD Projector, a plucky little PJ that makes me question the logic of every flat panel in existence.
There's a coffee cup on the remote, an icon unmistakably a cup and saucer. Maybe it's tea. It's the largest button. It's backlit. It might be taunting me.
So begins my time with the Epson MegaPlex MG-850HD Projector, a plucky little PJ that makes me question the logic of every flat panel in existence.
Announced today, Dolby has added a new trick to their TrueHD encoding. It allows studios and authoring houses a way to upconvert standard 48 kHz content (the sampling rate of most movies) to 96 kHz for Blu-ray.
At an event at Dolby headquarters in San Francisco, I got a chance to hear the results. Interestingly, it was quite... interesting.
I am not naive enough to think that the gaming industry's primary desire is anything other than to make money. As an industry, they're really good at it, making more than the movie and music industries combined.
The past year has seen an explosion of "Free to Play" (F2P) games that are, well, free to play. Lately, storied titles like Tribes have been reborn in this model. More titles in development aim directly at this new pricing strategy.
But is it good for games, and more importantly, is it good for gamers?
It is the job of every generation to complain that the younger generations are inferior, or headed for destruction, or whatever the latest cause célèbre is. Even in the lifetimes of those reading this blog, it's easy to point to the mass hysteria surrounding rock and roll, then heavy metal, then rap, then video games, as examples of one generation making mindless accusations about another.
In the audio world this is just as common, it's ongoing, and Harman has released a study that shows that the old people need to shut the hell up (I'm paraphrasing).
Consisting of a small colorimeter you attach to your TV, some software, and a Blu-ray (or DVD) with test patterns, the package claims to let you "calibrate" (their word) your own TV.
One of the most common requests I get by email, and in comments on reviews, is to share what picture settings I've used to achieve the best image.
To put it bluntly: no. This isn't because my settings are some big secret, it's because I honestly believe sharing them is a bad idea, and I'd be doing more harm than good.
And once I list the reasons why, you may even agree with me.