Geoffrey Morrison

We frequently get e-mails from readers asking why they should spend big $s on a home theater product when they can get a similar product for much less. Good question! So, this is the first in a series of GearWorks in which we'll discuss that very topic. We'll start with perhaps the easiest component to track: projectors. Where does the money go?

Putting the theory to the test.

In my GearWorks column in our January 2005 issue, I talked about how, depending on your viewing distance, the resolution of your display may not matter. To sum up, your eye has a finite resolution (like a digital camera), and, as objects get smaller with distance, there is a point where your eye can no longer distinguish between bigger and smaller pixels. Over long distances, this is obvious, but it surprised a lot of people that it could be so noticeable in shorter (in-room) distances.

I like to think of myself as a do-it-yourself kind of guy. I'd like to think of myself this way, but, in reality, this is not the case. I don't change my own oil (you want me to go under where?), I'm on a first-name basis with my mechanic (honestly, what Ford owner isn't?), and I call my landlord when the kitchen sink leaks (hey, that's why I pay rent). The two things I do myself are haircuts (thank you, King C. Gillette) and computers (sorry, no funny joke). I've been fascinated with computers since my parents bought me an Apple IIc in the mid-1980s. Since then, I've been modifying and building my own. A few months ago, some part of my brain came up with the idea to build a home theater PC from scratch—and make it silent. Keep in mind that this was the same part of my brain that thought it would be a tremendous idea to build a 13-foot-long subwoofer. Thanks to the deluge of e-mails I received after that piece (one—thanks, Mom) and the difficulty in finding a company that makes an HTPC (last count at CES, there were only 13,002 or so), I figured I'd design and build Home Theater's HTPC, the ugliest and quietest ever.

A rear pro from the front-pro experts.

Someone at Sharp noticed a gap. They make all sorts of flat-panel LCD units, from dinner-plate size to plasma size. Then they have two DLP projectors that handle the huge-screen market. (In fact, we gave the XV-Z12000 our Best Overall Projector RAVE Award for last year in our May 2005 issue.) But there's this gap, you see, above 45 inches for flat panels and below 80 or so inches for front projectors. What to do? How about rear projection?