Geoffrey Morrison

LCD TV Reviews
LG Electronics 42LP1D LCD HDTV and 42PX4D Plasma HDTV
Geoffrey Morrison  |  Aug 30, 2005  |  Published: Aug 31, 2005
LCD and plasma go head to head. . .sort of.

The 42-inch display size has become a battleground of sorts between liquid crystal displays (LCDs) and plasma displays. Ironically, the older technology, LCD, is the relative newcomer here. Prices on both sides have dropped quickly. You can now buy an HDTV (qualified by both resolution and the integration of a tuner) for just a little more than the price of an EDTV just over a year ago. LG Electronics is one of the only companies with their feet on both sides of this issue (the other biggie being their across-the-Han rival, Samsung). LG also makes an LCD in a 42-inch size, which is rather rare. Most are either smaller or slightly larger. There are lots of questions and misinformation about these technologies, so hopefully we can clear a lot of that up. This isn't a true head-to-head Face Off; let me tell you why.

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Be Cool—MGM
Geoffrey Morrison  |  Aug 26, 2005
Video: 4
Audio: 4
Extras: 4
I am a big Get Shorty fan. The dialogue, the acting, and the plot all just exude a coolness that is never struggled for, just achieved. The thought of a sequel seemed a little odd, but knowing that it is based on the Elmore Leonard sequel novel, I had high hopes. The end result was admittedly funny but nowhere near the quality of the original. The story takes place a few years after Get Shorty, and Chili Palmer is deciding to get out of the movie business. After a friend gets murdered, he decides to get into the music business instead. Far too many jokes are rehashed, but that in itself isn't the problem. Whereas the original was an effortless cool, this movie tries too hard to be cool—and rarely succeeds. Far too much time is spent on the (admittedly excellent) secondary characters, with Chili himself just kind of showing up to drive the plot along. The effect, though, highlights two of the best aspects of this movie: the Rock and André 3000. These two absolutely steal the movie, and this disc is worth a rental just for them. There are many musician cameos, but, unlike in Get Shorty, where actor cameos are natural (as in, they can act), the musician cameos are often awkward and distracting.
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12 Monkeys Special Edition—Universal
Geoffrey Morrison  |  Jul 26, 2005
Video: 4
Audio: 3
Extras: 2
Based on the short French film La Jetée, 12 Monkeys follows poor, hapless convict and time traveler Cole. He is tasked with preventing a plague that wiped out most of humanity. Time travel not being an exact sport, he is tossed around a bit, and everybody thinks he's insane. Monty Python alum Terry Gilliam directs one of the best science fiction movies of the 1990s. Bruce Willis plays poor Cole, while Brad Pitt is truly incredible as nutcase Jeffrey Goines.
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Projector Reviews
InFocus 7210 DLP Projector
Geoffrey Morrison  |  Jul 20, 2005
Brighter, blacker, cheaper.

It has been interesting to follow the development of the 7200 Series from InFocus. Two years ago, I reviewed the 7200, the first high-end home theater projector from what was, up to that point, a company primarily known for business projectors. A year later came the 7205, which had some updates, including a new chip from Texas Instruments. It was brighter, had a better black level, and was cheaper. Now, a year after that, the 7210 follows this same progression.

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LCD TV Reviews
Sharp AQUOS LC-45GX6U 45-Inch LCD HDTV
Geoffrey Morrison  |  Jun 16, 2005
Mmmm, 1080p.

There is something to be said for 1080p. It is, after all, the so-called holy grail of HD. As far as the mainstream end of the market is concerned, there are only three displays available now that support it: This Sharp, the "mine's bigger than yours," 1-inch-larger Samsung LCD, reviewed in the April 2005 issue, and the Sony 70-inch LCOS (sorry, SXRD) rear-projection TV. If you have money to burn, there are several front projectors that are 1080p and cost more than a Camry—and a couple of plasmas that cost more than several Camrys.

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Projector Reviews
Samsung SP-H700AE DLP Projector
Geoffrey Morrison  |  May 01, 2005  |  Published: May 17, 2005
So accurate, post houses use it for a reference.

There is a reason why we say a display product's color temperature should be 6500 kelvins. There is a reason why we say color points are "off." There is a reason video has set parameters that define what it is supposed to look like. The reason is that people a lot smarter than us figured out what looks the best and wrote down what a display should do to look that way.

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Projector Reviews
Sony VPL-HS51 LCD Projector
Geoffrey Morrison  |  Mar 18, 2005
Now that's a black level.

Take a minute to look at the measurement box. Keep in mind that this is an LCD-based product. At 0.003 foot-lamberts, the VPL-HS51 is only 0.001 ft-L higher than the Yamaha DLP projector that's also in this issue. Not bad for a projector that's less than a third of the Yamaha's price. And did I mention it's an LCD? Impressive.

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Projector Reviews
Panasonic PT-AE700U LCD Projector
Geoffrey Morrison  |  Mar 18, 2005
Beauty is on the inside.

We've reviewed several Panasonic projectors in the past few years. Their price ranges have varied slightly, but two things have remained constant: a decent picture and an ugly box.

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Projector Reviews
Yamaha DPX-1100 DLP Projector
Geoffrey Morrison  |  Mar 18, 2005
No compromises.

As a reviewer, my life is hard. I have to sit in air-conditioned rooms watching movies all day long. It's a tough job, but I labor through it just for you, our fearless reader. A bad day could be one where the product is cranky, doesn't calibrate well, or, even after a fair amount of tinkering, still only looks OK (or worse). Writing those reviews is "fun." Then there are the days when I get to sit down with a product like this one. This means day after day of coming to work, enjoying a few movies and TV, all on a display that, out of the box, looks fantastic.

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Garden State—20th Century Fox
Geoffrey Morrison  |  Feb 26, 2005
Video: 4
Audio: 3
Extras: 3
Zack Braff, the lovable doctor from NBC's Scrubs, wrote, directed, and starred in Garden State. Normally I would say that trifecta is the recipe for a self-indulgent disaster, but in this case it really works. It's the old story of messed-up boy meets messed-up girl, and together they reduce their respected messed-upness. It's remarkably well done and makes you feel all warm and fuzzy.
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