Brent Butterworth

Brent Butterworth  |  Jul 17, 2012

There’s some debate among vinylphiles about whether USB phono preamps need to exist, but I for one am glad they do. When I bring home my latest haul of vinyl from Amoeba Records, I love being able to plug a laptop straight into my NAD PP 3 to make quick MP3s of albums I like so I can listen to them on my smartphone. (Sacrilege!) It’s easier than making an analog connection, and it bypasses the lousy analog-to-digital converter built into my laptop.

With the Zphono-USB, Parasound brings new versatility and features to the USB phono pre concept.

Brent Butterworth  |  Jul 11, 2012

Checking out the latest acquisitions during a recent visit to Vancouver, BC vintage audio dealer Innovative Audio, I noticed a lot of headphones that I hadn’t seen since the days when I wore Qiana shirts and had hair down past my shoulders.

Brent Butterworth  |  Jul 09, 2012

The original Jawbone Jambox Bluetooth speaker has won raves from us and seemingly everyone else who reviews portable audio gear. That’s partly because of the Jambox’s great sound, partly because of its cool industrial design, and partly because of its flashy programmable features. But even the most shameless marketing guy wouldn’t say the Jambox’s 1.25-inch drivers rock.

Brent Butterworth  |  Jul 04, 2012

Back in the mid-1950s, there weren’t a whole lot of stereo recordings available. How, then, could an audio engineer evaluate the equipment he was designing? For Paul Klipsch, founder of Klipsch Speakers, the answer was to make his own recordings.

Brent Butterworth  |  Jun 27, 2012

Music sales aren't the only part of the music biz that's hurting these days. With recent cutbacks in government funding for the arts-not just in the U.S. but all around the world-some great performance spaces are having major problems paying the bills. One is La Fenice, the famous Venice opera house that dates back to 1792.

Brent Butterworth  |  Jun 25, 2012

These days, the headphone biz is hot. The speaker biz? Not as hot. So it’s no surprise that every major speaker company is either launching a headphone line or thinking about it. And why not? They’re experts in developing, manufacturing, and marketing audio products. How hard could it be for them to launch a line of headphones?

Brent Butterworth  |  Jun 25, 2012

Some audiophiles consider Focal’s $180,000-per-pair Grande Utopia EM to be the world’s finest speaker. The Spirit One, Focal’s first headphone, weighs about 99.9% less and costs about 99.8% less. Yet its brushed aluminum metal parts, matte black soft-touch finishes, and detachable cord with a woven cover convey some of the Utopias’ high-end vibe.

Brent Butterworth  |  Jun 25, 2012

Paradigm tunes its IEMs to match the sound of its different speaker lines. The E3m is the top-of-the-line model, thus it is said to match the company’s top-of-the-line Signature Series speakers. The midpriced E2m matches Paradigm’s Studio Series speakers, and the low-priced E1 matches the Monitor Series 7 speakers.

Brent Butterworth  |  Jun 25, 2012

If you’re sick of trying to choose among dozens of lookalike IEMs in the racks at electronics stores, you’ll find the C5 to be welcome relief. This IEM resembles nothing else on the market. The back of each titanium earpiece holds B&W’s Micro Porous Filter, a layer of hundreds of tiny steel balls that the company says works as a sonic diffuser.

Brent Butterworth  |  Jun 25, 2012

I’m happy to see Polk getting into one of the headphone world’s neglected nether realms: noise-canceling IEMs. The UltraFocus 6000 gives you the easy transportability of an IEM with the noise-canceling technology that’s popular on larger over-ear and on-ear models.

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