David Vaughn

<IMG SRC="/images/archivesart/eli.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Eli (Denzel Washington) walks alone in post-apocalyptic America. He heads west on a mission he doesn't fully understand but knows he must complete. In his backpack is the last copy of a book that could become the wellspring of a revived society or in the wrong hands, the hammer of a despot.

<IMG SRC="/images/archivesart/caddyshack.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Caddy Danny Noonan (Michael O'Keefe) hefts bags around the prestigious Bushwood Country Club doing his best to earn the caddy scholarship so he can pay his college tuition. He attempts to kiss-up to the club's owner, Judge Smails (Ted Knight), but Smails is more concerned with maintaining the prestigious image of his club than helping the young man fulfill his dream.

While the special effects are well done, the over-the-top action gets a bit tiresome after nearly two hours. The video encode is serviceable with adequate depth and detail, but it's the DTS-HD MA 5.1 soundtrack that is the star of the show. It features very intense bass, a plethora of discrete effects, and reference-quality dynamics.

<IMG SRC="/images/archivesart/dearjohn.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Based on the bestselling novel from Nicholas Sparks ("The Notebook"), <i>Dear John</i> is the story of two young lovers, John (Channing Tatum) and Savannah (Amanda Seyfried), who are separated from each other two weeks after falling in love. They pass their time apart by writing a series of love letters until they can finally be together again. Complications arise after 9/11, when John reenlists in the military despite promising Savannah he would get out to be with her.