Legacy Audio had a static display at CEDIA this year but that didn’t stop visitors from swooning over the gorgeous finishes of their latest offerings including the new on-wall/in-wall Silhouette pictured. This beauty features their flagship AMT tweeter and Silver/Graphite midrange.
AudioControl debuted two new receivers and their flagship processor at CEDIA. The Maestro M9 AV processor and the Concert AVR- full 9 and AVR-7 feature full support for the latest HDMI specs, Dolby Atmos and DTS:X processing but also Dirac Live room correction.
While I only just made it in for the final showcase of the night, Barco capped the show off in style with a stunning cost-no-object showcase of a full 4K laser 6P projector coupled with an insane audio system from Dutch loudspeaker company Alcons. The Dolby 3D theater, designed by Barco with North America partner Display Development, showcased some of the best 3D images I’ve seen to date.
If there was one thing that was abundantly clear at the show, immersive audio isn't going anywhere. While the software continues to trickle out, the flood gates have opened for hardware with just about every manufacturer on the floor demonstrating something that would help you in your pursuit of immersive audio.
Anthem debuted their latest surround processor, the AVM-60, delivering their first foray into Atmos sound. At $2999 it is also the least expensive Anthem processor to date!
2D Performance 3D Performance Features Ergonomics Value
PRICE $5,000
AT A GLANCE Plus
Performance close to higher-end models
Excellent dynamic iris
Minus
HDMI slow to lock onto signals
Annoying gamma tracking after 100 hours
THE VERDICT
The combination of the DLA-X500R’s performance and value make it a favored pick in JVC’s current line.
Last year, I went to the 2014 CEDIA EXPO hoping to see some new native 4K projector options from JVC, but unfortunately, I came away disappointed. For the first time in recent memory, JVC decided to skip the annual model refresh and stick with their already superb 1080p projector offerings. This is understandable, given the embryonic state of the 4K market (and other variables that I’ll talk about below). But the line’s extra longevity did give me the chance to review what I believe to be the best overall option in JVC’s current family, the DLA-X500R. This projector may not have all the bells and whistles of its higher-priced brethren, but it does have what some would call “all the right junk, in all the right places.”
AT A GLANCE Plus
Supports all SD, HD, UHD, and 4K Resolutions
Over 100 custom test patterns
Unique Color Checker function
Minus
Professional instrument pricing
Bandwidth limit may prevent some future tests
THE VERDICT
The DVDO AVLab TPG is one of the only pattern generators out there for video calibrators and evaluators that supports both UHD and 4K resolutions. This small package packs a lot of patterns and can also be used for large 3D LUT calibrations that require thousands of color combinations.
One of the most essential tools for a video reviewer is a test pattern generator. Without a confirmed and reliably accurate source for signals it is difficult to evaluate a display properly. Some people just stick to everyday viewing content like Blu-rays or DVDs, but if those sources don’t look right how are you going to figure out what’s causing the issue? A reference generator gives you the ability to evaluate a display’s capabilities with tried and true patterns that show exactly what a display’s limits are. But with 4K just making its big break-thru into the market, only a small number of generators today provide options for evaluating 4K flat panels and projectors. The DVDO AVLab Test Pattern Generator (TPG) we’re reviewing here is a super compact reference pattern generator that not only supports the majority of all common resolutions today, but also Ultra HD and full 4K.
2D Performance 3D Performance Features Ergonomics Value
PRICE $27,999
AT A GLANCE Plus
Razor-sharp optics
Accurate DCI and Rec.
709 color
True 4K performance
Minus
Contrast could be further improved
Pricey
THE VERDICT
The VPL-VW1100ES is a flagship projector in every sense—from its second-to-none lens to its phenomenal accuracy.
Two and a half years have already passed since Tom Norton delivered the first review of Sony’s initial salvo into the 4K projector world, the VPL-VW1000ES. It earned top marks from Tom, who called it the best projector he’d ever seen. Now, three years later, Sony has a new flagship, the VPL-VW1100ES, which includes an upgrade to the latest HDMI 2.0 connection standard and some video-processing refinements. It retains the core components of the old model but takes advantage of the small market of consumer 4K content available today.