I played out my pair of <a href="http://blog.ultimateavmag.com/fredmanteghian/110406Shure/" target="new">Shure E4c</a> about a year ago when, ensconced in their circular case, they rolled out of my car into oncoming traffic. Realizing the driving public wasn't trained by years of reading signs on the back of 18-wheelers declaring "Where there's a rolling earphone case, there's a running audiophile," I erred on the side of caution. Bye-bye Shure.
One of the myriad benefits we can enjoy now with the end of the high definition disc format war is the elimination of competition that threatened to drive down prices of hardware and software. Imagine what would happen if cars came in different colors. What a mess.
I just installed one of the new line of wireless 'N' routers (802.11n draft resolution), the <a href="http://catalog.belkin.com/IWCatProductPage.process?Product_Id=377018" target="new">Belkin Vision N1</a>. The computer industry is, for the most part, not quite as psychotically frenetic with their product introductions as the consumer electronics industry, so this went fairly smoothly. No HDMI teeth mashing, no video muting, no loud buzz when you switch to DTS.
BBC has an iPlayer feature that let's you watch TV broadcasts you may have missed on the "Beeb." Problem is, it's only open to folks who live in the U.K. So I have to keep reading little inside references to the "EastEnders" in Nick Hornsby novelettes but do I get to see what all the fuss is about? Hardly.
In <I>Donny Darko</I>, Drew Barrymore's character, Ms. Pomery, says that a famous linguist once proclaimed "cellar door" to be the most beautiful phrase in the English language. I'm here to recommend we consider "Marantz" for that title, because it reproduces the most beautiful sounds in <I>any</I> language. Be it Zoot Sims on JVC XRCD, Claudio Arrau playing Beethoven sonatas from a Philips CD, or that gawd-awful good <I>Transformers</I> movie on HD DVD, the Marantz is beauty personified!
Grade-A nice guy Graemme Brown of Zen Mastering is explaining the setup in the Soundlabs / Isomike room before newphew Nate starts the proceedings. Those of you not familiar with Kimber Kable's IsoMike™ technique of recording, suffice to say it produces some uncanny result if you like image specificity and "you are there" realism. With Pass amplifiers, the Sound Lab Prostat speakers stand 8' 8" tall and project along a slight horizontal arc. It's really just two of their Majestic 945 speakers standing side by side in order to get enough horizontal coverage of the large room in which they were positioned. There were also a pair (or is that a quad, hehe) in the rear, but these weren't on for the demo when I was there.
When I saw the Escalante Design Fremont speaker at <a href="http://blog.ultimateavmag.com/he2007/051207fremont/" target="new">HE 2007</a>, I was mightily impressed with their neutrality and precise bass. Fast forward to CES 2008, and things were different. While the midrange and upper frequencies were still sublime, the switch to KR Audio tube monoblocks, from the VTL Reference S-400 stereo amplifier were a mistake as for all of KR's other virtues, bass control was not one of them. Still, one of the better sounds at the show.
Definitive Technology had some neat new speakers. Above, the new Mythos STS, a slightly smaller and less expensive version of the ST I just reviewed, but with the same 300 watt powered subwoofer. I like the fact that being shorter, their tweeters are at ear level and imaging seemed excellent.