Sponsored by NewTek, maker of the TriCaster portable streaming-video production system, the second annual Broadcast Minds roundtable at NAB offered a lively panel discussion about video production in the online era. Joining the panel was (left to right above) Leo Laporte, whose TWiT network is the official webcaster of the NAB show; Steve Hellmuth, executive vice president of operations and technology for NBA Entertainment; moderator Eric Schumacher-Rasmussen, editor of Streaming Video magazine; Mark Fratto, director of athletic communications at St. John's University in New York; and Adam Corolla, well-known comic who was introduced as having the most downloaded podcast in the world.
Another session in the Content Theater was presented by Julian Napier and Phil Streather, the director/editor and producer, respectively, of Carmen in 3D, the first live opera to be shot in stereo. Also on hand was Bob Mayson, president of the consumer-electronics division of RealD, which co-sponsored the project with the Royal Opera House in London.
One of the sessions in the Content Theater was presented by 3net, the 24/7 3D channel co-created by Imax, Discovery Channel, and Sony and currently available on DirecTV. In addition to the big projected image, six 42-inch Sony monitors located along the walls were showing the same content so we could see what it looks like on a typical home display, for which 3net's original content is designed.
Today, I attended a couple of sessions on 3D in what is called the Content Theater. The material was displayed from a Sony 4K digital-cinema projector using a dual-lens RealD polarization system projecting different 2K sections of the imager for the left and right eyes. The polarization-preserving, perforated screen was from Harkness and measured 24x13 feet.
Panasonic's 152-inch 4K plasma is nothing new, but it never fails to impress, especially when seen next to a person, in this case PR rep Courtnee Coburn. CTO Eisuke Tsuyuzaki told me some people have actually built a house around this monster!
This week, I'm in Las Vegas for the National Association of Broadcasters (NAB) convention. (It seems like only yesterday that I was here for CES, but it was actually three months ago!) Many have questioned my reasons for attending this trade show, which is aimed at broadcasting and content professionals rather than consumers. It's quite simple, reallyI'm here to answer one basic question: How is the consumer experience impacted and improved by what is we see at NAB?
One of the biggest impediments to the adoption of 3D in the home is the cost of active-shutter glassestypically around $150 a pop, making it prohibitively expensive to outfit an entire family, even after you account for the one or maybe two pairs included with some (but not all) 3D TVs. So when I read that Samsung will be offering active 3D glasses at less than $50 each, I sat up and took notice.
As anyone interested in high-end audio knows, balanced signals are far superior to unbalanced ones because of their ability to reject induced noise and interference. German newcomer BMC knows this wellin fact, the company name stands for Balanced Music Concept. Its products are distributed in the US by Aaudio Imports and include the M1 monoblock power amp profiled here.
What can be done about TV channels that stretch 4:3 images to 16:9? How do I switch between two AVRs to power one pair of speakers? How do I optimize the picture on my new TV?