Scott Wilkinson

Scott Wilkinson  |  Apr 06, 2011
Erik Aadahl, sound designer and supervising sound editor on such movies as Kung Fu Panda, Monsters vs. Aliens, I, Robot, Superman Returns, Valkyrie, and Transformers, talks about the importance of sound in storytelling and the process of sound design, and he shares anecdotes from some of the movies he's worked on. He also takes us on a tour of the Kim Novak Theater at Sony Pictures Studios, where he's working on a blockbuster due to be released this summer, though he couldn't reveal the title.

Run Time: 57:19

Scott Wilkinson  |  Apr 05, 2011
Converting 2D content to 3D is controversial at best, but when George Lucas wants to do it to Star Wars, that's big news. Following an exhaustive testing process, Lucasfilm and Industrial Light & Magic have selected Prime Focus to convert Episode I: The Phantom Menace to 3D for theatrical release on February 10, 2012.
Scott Wilkinson  |  Apr 05, 2011
So far in this report on my experience with the Runco D-73d 3D projector, I've covered its features in Part 1 and Part 2 and my calibration and measurements in Part 3. Now, it's finally time to watch some movies.
Scott Wilkinson  |  Apr 01, 2011
Online distribution of video content—especially high-def video—will never float my boat until the bandwidth available to most homes is way faster than it is today. According to Speedtest.net, in 2010, South Korea had the fastest average household bandwidth at 22.46 megabits per second, while the US was 30th in the world at 7.78Mbps—that's less than Latvia (18.02Mbps), Lithuania (15.81Mbps), and Liechtenstein (7.79Mbps). But even in Korea, streaming high-def—not to mention anything with even higher resolution, like 4K or UltraHD—requires some serious compression, which lowers the picture quality dramatically.

An incredible solution to this problem was quietly demonstrated in a hotel suite at CES this year by a company called R2D2 ("Twice the Research, Twice the Development!"). The company's Hypernet technology bypasses the Internet completely, offering nearly unlimited bandwidth and instantaneous transmissions using the principles of quantum physics. Inventor Leia Organic Skydancer, love child of two spaced-out hippies, is a video artist and musician as well as a physicist and computer scientist who created Hypernet so she could effectively market her own material, including her first project, Music From the Hearts of Hyperspace.

Scott Wilkinson  |  Mar 31, 2011
In Part 1 and Part 2 of my report on the Runco D-73d 3D DLP projector, I covered its features in some detail. Now, it's time to reveal what we measured while working with it at Runco's training facility near Portland, Oregon. Helping me was Erik Guslawski, eastern regional product specialist, and Bob Williams, chief product architect and recent guest on my Home Theater Geeks podcast.
Scott Wilkinson  |  Mar 30, 2011
Is there a downside to using speakers with built-in subwoofers? How do I take speaker impedance into account when shopping for an AVR? What's the best audio connection?
Scott Wilkinson  |  Mar 30, 2011
Legendary speaker designer Sandy Gross discusses his illustrious career, the process of speaker design, different types of speaker drivers, imaging, the advantages of including powered subs in the main speakers, how GoldenEar manages to create high-quality yet relatively inexpensive speakers, bi-amping, tubes versus solid state amplification, vinyl versus digital audio, "exotic" speaker cables, answers to chat-room questions, and more.

Run Time: 58:49

Scott Wilkinson  |  Mar 29, 2011
Yesterday, Panasonic and Xpand, makers of mostly commercial active-shutter 3D glasses, announced a standard synchronization protocol for this type of eyewear called M-3DI. The new standard is intended to improve compatibility between 3D TVs and home projectors, computers, and digital cinema, a problem that has plagued the current 3D marketplace since its inception over a year ago.
Scott Wilkinson  |  Mar 29, 2011
In Part 1 of this report on my visit to Runco to see the D-73d 3D projector up close and personal, I described its LED illumination and use of linear polarization to isolate the left and right images. Now, I'd like to discuss the alignment of its dual projection engines, its color features, and its outboard video processing.

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