Kevin Wines, Image Technology Director at THX, Ltd., talks about the future of display technology in the home and commercial cinema, including increased spatial resolution (4K, 8K), increased temporal resolution (high frame rates of 48 and 60fps), and how these advancements might be delivered to the home. He also discusses 3D, including the 3D broadcast of the Olympics, online distribution versus physical media, THX certification of displays and content, answers to chat-room questions, and more.
MIT postdoc researcher Gordon Wetzstein and Ph.D. student Matt Hirsch explain a new glasses-free 3D flat-panel technology they are working on at the MIT Media Lab. Conventional stereoscopic displays show two views (left and right eye) in a narrow viewing area, and all viewers see the same perspective. The new display shows many perspectives across a wider area, providing each viewer with a different perspective, much like a hologram. The new display combines several LCD layers, directional backlighting, and sophisticated processing to achieve its remarkable result. This isn't going to be a commercial product any time soon, but it does point the way toward a more realistic 3D display without needing those annoying glasses.
SurgeX senior engineer Martin Dornfeld discusses power protection and management for home theaters, including surge protection, lightning rods, whole-house versus outlet-level protection, brownouts and blackouts, uninterruptible power supplies, dedicated circuits, grounding, IP power management, whether or not power conditioning can improve the performance of A/V equipment, answers to chat-room questions, and more.
Dave Duncan, Business Manager of DLP Cinema for Texas Instruments, explains the technology of Digital Light Processing, including the impossibly tiny moving mirrors on the surface of a Digital Micromirror Device (DMD) chip, 3-chip versus single-chip designs, and switching speed. Other topics include the transition from film to digital projection in commercial cinema, 2K versus 4K, 3D, high frame rates, alternative illumination sources such as lasers and LEDs, answers to chat-room questions, and more.
Live-sound pioneer and microphone maven Bob Heil returns to talk about his mic designs, new USB mic preamp/EQ, and headphones as well as his work with The Grateful Dead, The Who, Joe Walsh, and other rock legends, and his association with Paul Klipsch and organist George Wright, whose recordings helped launch the entire field of high-fidelity audio. Plus, answers to chat-room questions and more.
In this episode, I show you around my new podcast studio, which is also my home recording studio, and then answer questions from the chat room, including how to position speakers, the different types of 3D for commercial cinema and home, HDMI cables, the difference between THX post processing and audio codecs from Dolby and DTS, full-range speakers and subwoofers, Dolby Atmos, Disney's WOW setup disc, and much more.
Geoff Tully, Technology Development Director at THX, explains THX Media Director, a new technology that embeds metadata into audio/video content about how that content was created and how it should be reproduced, including the correct settings in compatible Blu-ray players, A/V receivers, TVs, etc. He also reveals which companies are working on implementing Media Director, answers chat-room questions, and more.
Tyll Hertsens, editor of our sibling website InnerFidelity.com, responds to Steve Guttenberg's comments on a previous podcast that objective measurements are not useful in predicting a user's preference for one piece of audio gear over another, illustrating his points with graphs from his measurements of various headphones. He also talks about the importance of subjective listening, answers chat-room questions, and more.
The inimitable Michael Fremer, editor of the new website AnalogPlanet.com, talks about his career as an analog advocate, the sonic and emotional difference between vinyl LPs and CDs, converting between digital and analog audio, objective measurements versus subjective listening, consumer preference tests, how to enjoy vinyl LPs without spending a fortune, his own reference system, answers to chat-room questions, and more.
Ron Williams, CEO of The Landmark Group and consultant to the film and broadcast industries, discusses the growing importance of 4K and Quad HD, 4K in film and TV production, 4K displays and cameras, the emergence of 8K in Japan, consumer preferences for 4K versus 3D, true stereoscopic versus converted 3D, high frame rates, answers to chat-room questions, and more.
ISF video calibrator Kevin Miller talks about the Eighth Annual Flat Panel Shootout held at Value Electronics in Scarsdale, New York, where some 70 participants rated six high-end flat panelsthe LG 60PM9700, Panasonic TC-P65VT50, and Samsung PN64E8000 plasmas as well as the Panasonic TC-L47WT50, Samsung UN60ES8000, and Sharp Elite PRO-60X5FD LED-LCD TVsafter they were all calibrated as close to correct as possible. Which one came out on top? Find out here.
Andrew Jones, chief speaker engineer for Pioneer and TAD Labs, talks about his illustrious career as a speaker designer with KEF and Infinity, the difference between research and product development, the importance of knowing what and how to measure audio performance, how he was able to design Pioneer's entry-level speakers to perform so well, his work with ultra-high-end speakers at TAD Labs, answers to chat-room questions, and more.
Juergen Herre, chief scientist at Fraunhofer Institute for Integrated Circuits and professor at Erlangen University in Germany, discusses the development of the MP3 audio format (technically called MPEG-1 Layer 3), how lossy audio codecs work using psychoacoustics, how higher bitrates yield higher audio quality, constant versus variable bitrates, more recent audio codecs such as MPEG-2 AAC and surround MP3, 3D audio, object-oriented audio, answers to chat-room questions, and more.
Boxee co-founder and CEO Avner Ronen talks about the new paradigm of online video delivery, image and sound quality versus bandwidth, integrating and unifying various online sources, the importance of the user interface, the trend toward encrypting basic cable channels, the founding and evolution of Boxee, the Boxee box and remote, online delivery of 3D and 4K, answers to chat-room questions, and more.
Steve Guttenberg, a regular contributor to Home Theater and Stereophile as well as the author of the Audiophiliac blog on cnet.com, questions the validity of blind ABX testing and the value of objective audio measurements, especially as a predictive factor for user preferences and an indicator of how a device will sound in various real-world environments. He also talks about the differences between audio and video gearfor example, how many people seek out old audio products but not old video displaysanswers to chat-room questions, and more.