Calibrator extraordinaire Kevin Miller was demonstrating Epson's latest flagship, the THX-certified 9700UB, which has two primary improvements over the previous 9500UBprocessing for a fixed anamorphic lens and better panel alignment. (We got right up next to the screen, and the alignment was indeed superb.) Also, all controls remain active in THX mode, which is great news for those who understand that no projector can be perfectly calibrated at the factory, because it depends on the screen and environment. Clips from Alice in Wonderland and Remember the Titans looked amazing on a 96-inch-wide Stewart Studiotek 130, even with a calibrated light output of only 450 lumens.
Projectiondesign's press conference concentrated on the Optix SuperWide 235 (around $39,000 with a standard lens), whose DLP imaging chip boasts a native resolution of 2560x1600, though this model uses only 1080 horizontal lines. This projector can display any aspect ratio from 1.33:1 to 2.40:1 at constant height without needing an anamorphic lens or zoom memories, which rob the image of brightness. For wide-screen Blu-rays, it scales the image vertically and horizontally using Sigma Designs VXP processing and two custom FPGA (field-programmable gate array) chips to fill the 2560x1080 pixel structure and maintain a 12-bit color depth per channel.
The demo was shown on a 13-foot-wide Da-Lite Affinity screen (1.1 gain) with a hand-built prototype with only one of two lamps in operation, so we were seeing a peak-level of about 7.5 foot-lamberts. Clips from Paul Blart: Mall Cop and Spider-Man 3 looked quite good, though I would not have chosen Paul Blartwhat an awful movie!
At the high end of SIM2's extensive projector lineup is the Teatro 50 (single-lamp, 5000 lumens, $60,000) and 80 (dual-lamp, 8000 lumens, $70,000). As you might guess from the prices, both are 3-chip designs.
SIM2 has expanded its Mico line of LED-illuminated DLP projectors with the Mico 40 ($16,000) and Mico 60ST ($24,000), which is designed for short-throw rear-projection applications.
Like Runco, SIM2 is taking a dual-projection approach to 3D. In this case, however, two C3X Lumis 3-chip DLP projectors are stacked in a frame for $80,000. And instead of using polarization or active-shutter glasses, SIM2 decided to go with Infitec color filters, the same technology used in Dolby 3D, which means it does not require a special screen. The projection filters can be moved in and out of the light path much like an anamorphic lens on a sled to accommodate 3D and 2D, for which the system can shine 2500 and 6000 lumens, respectively.
As I was walking back from the Runco press conference, I passed a huge room occupied by chip maker Analog Devices, so I stopped in to see what it had cooking. I'm glad I didamong the demos was a new audio processor intended to give soundbars the ability to reproduce a true 3D soundfield, and it worked shockingly well.
In addition to the D-73d 3D projector, Runco unveiled another dual-chassis model, the Q-1500d LED-illuminated DLP projector, which will list for $39,000. With two light sources, this is the brightest LED-powered projector on the market with up to 1400 ANSI lumens, which means it can be used on screens up to 200 inches in size. Also, it can be upgraded to 3D operation.
Also at the Runco press conference was a new line of thin plasmas called Vistage. Interestingly, the rep avoided using the word "plasma," instead calling it a flat panel based on "emissive cell structure." C'mon, it's a plasma! Granted, it has a number of refinements, including optical precision glass and an outboard DHD processor, and it did look quite good in the demo. Three sizes will be available50, 58, and 63 inches for $6000, $8000, and $10,000, respectively.
Runco had a lot to talk about at its press conference, starting with the D-73d 3D projector. As you can see, it looks like two stacked projectors, but the Runco rep insisted that it's one projector with dual single-chip DLP imaging and LED light engines, an approach Runco calls Constant Stereoscopic Video (CSV). Unlike most 3D displays out there today, this one uses circular polarization, which means it needs a special silver screen that the company certifies under its PISCES (Polarized Image Sequence Conservation and Enhancement Standard) program. The high-end polarized glasses are called PreciseLight and can be made as clip-ons and even prescription as well as conventional.
Along with just about everyone else at CEDIA, Mitsubishi is demonstrating a 3D projector, this one based on Sony's SXRD technology. The Diamond 3D has no official model number yet, but it's targeted to throw 1200 ANSI lumens with a dynamic contrast ratio of 150,000:1. Interestingly, it can use Panasonic or Toshiba active glasses, though no glasses or IR emitter are included for an undisclosed price that I was told will be "less than the Sony."