Scott Wilkinson

Scott Wilkinson  |  Sep 29, 2010
New at CEDIA from Wisdom Audio was the STS passive subwoofer with dual 15-inch drivers. At five feet tall and three feet wide, it looks huge next to the SWS "suitcase" sub as seen here, but it's actually surprisingly small for what it does—130dB SPL at 20Hz (-3dB at 15Hz) with a sensitivity of 101dB/W/m and the ability to handle power up to 5kW!
Scott Wilkinson  |  Sep 29, 2010
The electronic components that accompany Wisdom Audio's speakers aren't new, but they sure look cool. This rack includes an SC-1 system controller, which provides electronic crossovers and Audyssey MultEQ room correction, and several SA power amps with one, two, or three channels of amplification at 500Wpc into 4Ω. Combined with Wisdom's in-wall main speakers and standalone subs in the company's demo room, the system sounded fantastic—in fact, it was one of the best audio demos I heard at the show.
Scott Wilkinson  |  Sep 28, 2010
Several of the 3D projectors at CEDIA use passive-polarized glasses, which means they require a special silver screen to preserve the polarization of the light from the projector. However, such screens are not ideal for 2D images—their high gain results in hot spots and other issues that degrade the quality of 2D content. Stewart Filmscreen has come up with an ingenious solution—the Daily Dual, which consists of a fixed silver screen and a retractable white screen that covers the silver screen when displaying 2D material. It ain't cheap—a 132x74-inch system will set you back $15,000—but if you prefer polarized 3D projection as I am starting to, it's clearly the best way to go.
Scott Wilkinson  |  Sep 28, 2010
Stewart Filmscreen is well known in our industry as a pre-eminent provider of projection screens, but its name recognition does not extend as far into the design community and even less into the general public. So Stewart has teamed up with Swarovski, a world-renowned supplier of decorative glass crystal, to create the Couture Collection of fixed screen frames in which tiny Swarovski crystals are embedded.
Scott Wilkinson  |  Sep 28, 2010
Bob Farinelli, president and CTO of Elan Home Systems, discusses what people need to think about when considering a whole-house A/V system; distributing audio via line level, speaker level, and S/PDIF digital; long HDMI runs; wired vs. WiFi IP distribution; wall-mounted keypads vs handheld remotes; eliminating audio delay in "party mode"; and answers to chat-room questions.

Run Time: 45:20

Scott Wilkinson  |  Sep 27, 2010
The 2010 CEDIA Expo may be over, but the memory lingers on. In fact, I saw so much that I couldn't post all of it during the show, so I'll be posting more stories—along with my photos from the floor—all this week. Meanwhile, here's my take on the event as a whole.
Scott Wilkinson  |  Sep 26, 2010
With a name like Okki Nokki, it has to be good! This German company has come up with what it calls "the VIP of record-cleaning machines." You spread the included cleaning fluid on a vinyl record and attach the aluminum vacuum arm, which sucks up the fluid and, presumably, any dirt or dust on the surface. The RCM also comes with a goat-hair brush for $500 ($50 more for the clear dust cover). Michael Fremer should definitely hear about this!
Scott Wilkinson  |  Sep 26, 2010
One of Wolf Cinema's big introductions at CEDIA is the DCC-100FD single-chip DLP projector that uses a conventional lamp and color wheel. What's the big deal about that? It costs only $10,000 (including the company's outboard processor and Variscope lens memories for 2.35:1 and 16:9 content at constant height), which is a real bargain coming from Wolf.

The demo unit was a prototype; production units should be shipping by early next year. We saw a clip from Avatar on a Screen Innovations Black Diamond II (0.8 gain, 16:9, 96 inches wide), which looked great. I saw no hint of the dreaded rainbow artifact, but we'll have to see what Tom Norton says about that, since he's much more sensitive to it that I am.

Scott Wilkinson  |  Sep 26, 2010
New from REL is the G1 subwoofer ($4000), which sports a 12-inch carbon-fiber cone in a sealed, curved cabinet with a 700W class-AB amp.
Scott Wilkinson  |  Sep 26, 2010
The DCL-200FD LED-illuminated DLP projector from Wolf Cinema isn't new at the show, but I saw it in action for the first time here, pictured above with a fixed anamorphic lens. Said to produce 850 ANSI lumens after calibration, it was demonstrated on a Screen Innovations Black Diamond II screen (0.8 gain, 16:9, 96 inches wide) playing the Pixar short Jack-Jack Attack, and it looked gorgeous. It's shipping now for $25,000.

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