The new Sharp ZV2-1700 is the first new 3D projector we've officially heard about at the show, but we know it won't be the last. It's a 1-chip DLP. Like the Quattron 3D sets it comes with 2 pair of active 3D shutter glasses. These are triggered not only by a IR link, but by DLP-Link as well. The latter places invisible white frames into the image periodically to trigger the glasses, which works better than the usual IR link for larger, more widely seated audiences—more likely with a projector than with a flat panel display.
When Sharp introduced its new four-color Quattron sets at last winter's CES, they were met with a collective, "Fine, but where's the 3D." Sharp's Quarttron launch may have been buried in an avalanche of 3D news at that time, but the company knew that it had 3D designs waiting in the wings.
CES 2010 is now just a memory, but hopefully not a fading one. On my last day or two I saw a few things that I couldn't get posted while still in Vegas. IDT, the company that now owns the HQV Reon video processing technology, showed a number of interesting new technologies. The most intriguing was a small, nondescript box (no wasted funds on here on cosmetics!) that can perform all the Reon video processing functions, including deinterlacing, upconverting, and noise reduction, plus flesh tone correction&$151;the latter said to be more sophisticated than the flesh tone correction offered in some televisions. No decision yet as to whether it will be marketed under IDT's own brand name or by a third party. The price could be as low as under $100, which would be a huge plus for those whose HDTVs have mediocre built-in video processing.
My search for home theater displays at the Venetian hotel, home of the high-end audio exhibits, was frustrating. And while I enjoyed checking out the audio rooms, looking mainly for speakers suitable for home theater (but also for the fun of it!), their prices were often a put-off for multi-channel applications). The Meridian room did not break the price barrier either, but the quality of the system was outstanding. The company left its big 4K projector at home and settled on the smaller DLA-MF10 with an ISCO anamorphic lens (about $28,000 --$15,000 without the lens) and 8-foot wide (approximately) 2.35:1 Stewart Studiotek 130 screen. Even though this projector is based on an older JVC DLA design (extensively modified courtesy of video expert William Phelps) the picture was to die for.
Tom Norton | Jan 09, 2010 | Published: Jan 10, 2010
The untimely passing last summer of Jim Thiel, the heart and soul of Thiel Audio, was a jolt to entire high-end audio industry. But he left the company in good hands, as its big demo room at CES amply proved. The Thiel CS3.7s ($12,900/pair) were clean, crisp, but never bright unless the program source made them so, it was one of the best audio demos I've yet heard. The front end of the system, and the amps, were from Bryston. Thiel subwoofers fleshed out the bottom below 30Hz. At some point in the future we can expect a matching center channel for this system; according to Thiel reps, Jim left detailed designs for future projects, and a center appropriate for use with the CS3.7 was one of them.
Tom Norton | Jan 09, 2010 | Published: Jan 10, 2010
Though I've covered only a fraction of the rooms at the Venetian so far, with a day to go, my favorite rooms today were the Thiel (above) and the Avalon, where the new Avalon Times were making terrific sounds, driven by monoblock power amps from Jeff Rowland. The Time employs two 11" Nomex-Kevlar composite woofers, a 3.5" concave Ceramic Dome midrange, and a 1" concave Diamond diaphragm tweeter. The Thiel and Avalon systems could not have soundxed more different (Thiel leaner, Avalon warmer and richer) but both flattered a wide range of the music I tried on them. The Avalons, however, will cost you a lot more, at $49,000/pair -- and the fijnish shown is a $4000 option!
Tom Norton | Jan 09, 2010 | Published: Jan 10, 2010
You can be forgiven if this looks like one of those odd, transparent speaker systems. But it wasn't put in the Avalon room to compete with the Avalon Time. Its a passive room treatment device from Acustica Applicata (sounds like a singing technique, like a capella), an Italian company. The visible "eye" is a mechanical iris diaphragm, which combined with a port in the base with an adjustable opening and an internal membrane can tune the device to between 26Hz and 60Hz. This is said to improve the low frequency resolution by tuning out bass problem areas over a narrow or broad range. $3600 each.
Tom Norton | Jan 09, 2010 | Published: Jan 10, 2010
TAD was demoing both its flagship Reference One speaker (priced in "if you have to ask" territory) and the smaller Compact reference shown here (at $37,000/pair, it's only in the "say again" price range). It sounds spectacular, however, and while you don't need TAD's new disc player and monboblock amps (see below) to make it sing, it couldn't hurt.
Tom Norton | Jan 09, 2010 | Published: Jan 10, 2010
TAD's new monoblock power amp outputs 300W into 8 ohms and 600 watts into 6 ohms. What looks like an amp stand under the thick aluminum chassis is actually a cast iron piece of the amp's structure that houses some of the components and adds to the rigidity of the piece. Each $26,500 monoblock weighs in at 200 lbs.
Tom Norton | Jan 09, 2010 | Published: Jan 10, 2010
A proprietary master clock , specially designed disc mechanism, and a rigid, die-cast aluminum chassis are only a few of the reason's why TAD's new D600 CD/SACD (2-channel) CD and (two-channel) SACD disc spinner commands a price of $26,500. Available in spring 2010.