If you don't know the drill, you will soon. That 3DTV from brand A will only work with the glasses from brand A, not from brand B, C, or D. But Monster Cable has an answer. The new Monstervision Max 3D glasses are said to work on any 3DTV.
With all the activity in 3D, did anyone think that Sony wouldn't offer its first 3D projector at this year's CEDIA? Well, it hasthe VP-VW90ES, and it's the first Sony projector to carry the ES brand.
JVC has announced six new projectors, three in the consumer Procision series (DLA-X9 at $11,995, DLA-X7 at $7,995, and DLA-X3 at $4495), and three models in the Reference Series (DLA-RS60, DLA-RS50, and DLA-RS40). The models at the same level in both series are equivalent in features and price (the DLA-RS-60 and the DLA-X9, for example) apart from slight cosmetic differences and different sales channels.
JVC has announced six new projectors, three in the consumer Procision series (DLA-X9 at $11,995, DLA-X7 at $7,995, and DLA-X3 at $4495), and three models in the Reference Series (DLA-RS60, DLA-RS50, and DLA-RS40). The models at the same level in both series are equivalent in features and price (the DLA-RS-60 and the DLA-X9, for example) apart from slight cosmetic differences and different sales channels.
With all the activity in 3D, did anyone think that Sony wouldn't offer its first 3D projector at this year's CEDIA? Well, it hasthe VP-VW90ES, and it's the first Sony projector to carry the ES brand.
The new Sharp ZV2-1700 is the first new 3D projector we've officially heard about at the show, but we know it won't be the last. It's a 1-chip DLP. Like the Quattron 3D sets it comes with 2 pair of active 3D shutter glasses. These are triggered not only by a IR link, but by DLP-Link as well. The latter places invisible white frames into the image periodically to trigger the glasses, which works better than the usual IR link for larger, more widely seated audiences—more likely with a projector than with a flat panel display.
When Sharp introduced its new four-color Quattron sets at last winter's CES, they were met with a collective, "Fine, but where's the 3D." Sharp's Quarttron launch may have been buried in an avalanche of 3D news at that time, but the company knew that it had 3D designs waiting in the wings.
CES 2010 is now just a memory, but hopefully not a fading one. On my last day or two I saw a few things that I couldn't get posted while still in Vegas. IDT, the company that now owns the HQV Reon video processing technology, showed a number of interesting new technologies. The most intriguing was a small, nondescript box (no wasted funds on here on cosmetics!) that can perform all the Reon video processing functions, including deinterlacing, upconverting, and noise reduction, plus flesh tone correction&$151;the latter said to be more sophisticated than the flesh tone correction offered in some televisions. No decision yet as to whether it will be marketed under IDT's own brand name or by a third party. The price could be as low as under $100, which would be a huge plus for those whose HDTVs have mediocre built-in video processing.
My search for home theater displays at the Venetian hotel, home of the high-end audio exhibits, was frustrating. And while I enjoyed checking out the audio rooms, looking mainly for speakers suitable for home theater (but also for the fun of it!), their prices were often a put-off for multi-channel applications). The Meridian room did not break the price barrier either, but the quality of the system was outstanding. The company left its big 4K projector at home and settled on the smaller DLA-MF10 with an ISCO anamorphic lens (about $28,000 --$15,000 without the lens) and 8-foot wide (approximately) 2.35:1 Stewart Studiotek 130 screen. Even though this projector is based on an older JVC DLA design (extensively modified courtesy of video expert William Phelps) the picture was to die for.
Tom Norton | Jan 09, 2010 | Published: Jan 10, 2010
The untimely passing last summer of Jim Thiel, the heart and soul of Thiel Audio, was a jolt to entire high-end audio industry. But he left the company in good hands, as its big demo room at CES amply proved. The Thiel CS3.7s ($12,900/pair) were clean, crisp, but never bright unless the program source made them so, it was one of the best audio demos I've yet heard. The front end of the system, and the amps, were from Bryston. Thiel subwoofers fleshed out the bottom below 30Hz. At some point in the future we can expect a matching center channel for this system; according to Thiel reps, Jim left detailed designs for future projects, and a center appropriate for use with the CS3.7 was one of them.