Tom Norton | May 12, 2007 | Published: May 13, 2007
Rives Audio is repeating a demonstration that was a hit at last year's show in Los Angeles. Two rooms are set up with near identical systems. One room is completely untreated, the other uses a variety of acoustical treatment devices plus electronic equalization of the bass (using two Rives Sub-PARCs and extra amps to support the equalizers). The speakers in both rooms are Talon Thunderhawks ($25,000/pair), the amplifier the VAC Alpha Integrated ($10,000, an all-tube design with 100Wpc), and the CD player the Wadia 580i ($9450).
Tom Norton | May 12, 2007 | Published: May 13, 2007
Silverline was demonstrating two different speakers, the floorstanding Prelude ($1200/pair) and the small Minuet ($600/pair). I heard the Preludes ($1200/pair). One attendee remarked that the Preludes sounded better than a lot of more expensive speakers at the show. Apart from a trace of aggressive brightness, which could well have been due to a completely untreated room, I have to agree. The speakers sounded more dynamic, and bigger, than their size might suggest. Silverline makes a wide range of speakers, including a center channel (which at $1200, may be a little pricey to mate with the Preludes).
Tom Norton | May 12, 2007 | Published: May 13, 2007
There isn't a lot of budget gear at HE2007, but then the show has always trumpeted itself as a high-end show. New York dealer Sound by Singer had five rooms filled with increasingly expensive gear, but the first room was at least relatively real world, with a price of approximately $6000. The speakers were the JM Focal Chorus 836V floorstanders at $3000/pair. The electronics were from Cambridge Audio (the 840A integrated amp and 840C CD player, at $1500 each). The sound was very clean and well balanced. My only reservation: from a front row, center seat the imaging was a little bloated. But it was a fine-sounding system, and the step up to the next system in Sound by Singer's progressively more expensive chain of rooms was over $30,000. But that system was anchored by the JM Focal Electra 1037Be ($10,995/pair), one of the best sounding speakers I've heard at the show.
Tom Norton | May 12, 2007 | Published: May 13, 2007
Back on the limited home theater front, Meridian/Faroudja had a small room with both audio and video, the latter a modest flat panel display. The heart of the audio system was the new Meridian G95 ($8495), a complete processor/amp/DVD player all in one case; in other words, it's a high-end DVD AV receiver, offering five channels of 100Wpc amplification. But it does have limitations, which are rather surprising for such an expensive device. There is no DVD-Audio playback (Meridian has long been a champion of that format), and no way to get an external multichannel source into the receiver (there is no multichannel analog input and no HDMI switching to provide multichannel audio on HDMI). The only HDMI connection is the HDMI output for the internal DVD player.
Lipinski Sound had an audio/video system consisting of five of its L-707 monitor speakers ($2495 each), five L-301 Lipinski amplifiers ($2995 each, set up in 2-channel, 300Wpc mode for bi-amping each L-707 speaker, but also bridgeable), and four L-240 Powered Stands ($595 each), each of them (apart from the center) designed to house one of the L-301 amps. This placed the amplification just a little over a foot from its associated speaker. The total cost of the power amp/speaker combination: $35,035. Building the amps into the speaker stands is a great idea that more manufacturers might want to consider.
Tom Norton | May 11, 2007 | Published: May 12, 2007
Freddie G. beat me to the punch on the new Krell speakers, but they're worth a few extra words. At $35,000/pair the Modulare Duos are hardly cheap, but Krell's charter has always been cutting edge design, not designing to a price point. Based on the sound I heard from their two-channel setup in a relatively large demo room (plenty big enough for a home theater demo—helpful hint for next year!?) they are definitely cutting edge. I'm sure the Krell electronics used to drive them weren't hurting the overall result, either. Their pricey Scandinavian drivers and solid aluminum enclosures might just have been making the best sound I will hear at the show, though it's still too early to go that far. A lot of rooms are yet to be visited.
Tom Norton | May 11, 2007 | Published: May 12, 2007
Aperion Audio, which like Outlaw sells through the Internet, is demonstrating two surround sound systems at very attractive price points. One of them is built around the Intimus 533-T speaker that just recently received a positive review in <I>Stereophile</I>. The Intimus 633-T tower speaker anchors the other system. The larger system will soon be receiving a new review in <I>Ultimate AV</I>. So it was no surprise to me that it offers great value for money. The setup being reviewed, the Intimus 633 Concert HD, normally sells for $2690, and is slightly less on a show special.
Tom Norton | May 11, 2007 | Published: May 12, 2007
One of the interesting new features of this year's show is a variety of workshops, many of them to be presented more than once throughout the show. There are workshops on amplifier measurements, amplifier listening, speaker auditioning, speaker measurements, the peak power demands of music, and active loudspeakers. The Stereophile Analog Clinic also continues, as in past shows.
Tom Norton | May 11, 2007 | Published: May 12, 2007
One well-attended seminar on Friday (presented once only) covered the listening room and its effect on the system. Chaired by Richard Bird of Rives Audio, it offered advice from four experts on room design and acoustic treatment. While much of the information will be old news to long-time audiophiles, the advice presented new listeners with a heads-up on the importance of the room.
Outlaw Audio has an impressive home theater demo at HE2007. The five 8200e THX Ultra 2 speakers are from Atlantic Technology, as are the two side-mounted dipole surrounds that fill out the 7.1-channel system. The projector is ProjectionDesign's premier single-chip DLP with an anamorphic lens filling a 2.35:1 Screen Research acoustically transparent screen. The source is a Sony Blu-ray player and the program material is a scene from <I>Vertical Limit</I> (yes, <I>that</I> scene).