SVS is a company that specializes in subwoofers, sold mostly on-line. They had one of the few home theater demos at the Venetian, and the only one that actually used film as a program source. I know, that's tacky in a venue in which 99% of the demos are 2-channel audio, but they did their best.
Later this year, SVS will make its new AS-EQ1 system available. It’s an Audyssey-based bass room equalizer, operates in both the time and frequency domains, and is designed to correct the in-room performance of one or two subwoofers. It is expected to sell for $750.
I may be the only reporter to take pictures of raw loudspeaker drivers at this year's CES. But I've always been fascinated not only by the products we buy, but by the parts that go into them. And SEAS of Norway is one the biggest suppliers of high quality loudspeaker drivers. These new DXT tweeters offer controlled wide dispersion. Note the rings molded into the front plates of both versions. These rings produce diffraction, thereby widening the radiation pattern above 7kHz—the first time to my knowledge that this audiophile boogie-man has been deliberately generated to <I>enhance</I> speaker performance!
PMC and Parasound did have a full surround-sound setup, and even a video display, though music without pictures was on the playbill during the time I was there.
PMC also showed these new in- and on-wall speakers. The Wafer 1 sells for $1199 each (on-wall version) and the Wafer 2 for $1799 (on-wall). The demo was a bit atypical of how the environment of the speakers in an actual installation, but they still sounded quite good. The speakers are actually loaded into transmission lines, despite their small size.
The Venetian, the new home of the Specialty Audio and Video exhibits, was primarily a two-channel oasis. Here (and below) are two highlights. I didn't get into many of the rooms; if I peeked in and there didn't seem to be screen there, I had to move on, as time was very short and the two-channel exhibits there are being thoroughly covered by our sister publication, <I>Stereophile</I>. But I did check out a few rooms that prior experience suggested might be prime. The VTL-Avalon room was one of them. The system sounded pristine through VTL's vacuum tube electronics and Avalon Acoustics Eidolon Diamond speakers.
The name may be odd, but the sound from these new Sonus Faber speakers was anything but. It was clean and open, with a beautiful top end from
its dynamic ring radiator driver.
TACT, one of the first companies to offer sophisticated room correction, now adds Dynamic Room Correction. It adjusts the equalization to provide optimum response as you change the setting of the volume control. Older audiophiles might think of it as a sophisticated loudness control. The system will be built into the company's two-channel RCS 2.2 XP processor first, but will ultimately find its way into a redesigned surround pre-pro (now on hold pending the arrival of HDMI 1.3). TACT has also improved its user interface, making it faster to arrive at an optimum target curve.
The 2007 line of Sherwood Newcastle AV receivers tops out with the R-972 ($1499.95, summer). Offering 100Wx7 into 8 ohms, it also will accept all of the new audio formats directly through its HDMI 1.3 link and decode them internally (rather than relying on the player to first convert them to PCM). Internal Faroudja processing will deinterlace and/or scale all sources to 720p, 1080i, and 1080p, as directed. The unit also includes Audyssey MultEQ XT EQ.