Daniel Kumin

Daniel Kumin  |  Jan 30, 2012  |  0 comments

It seems like there have been Paradigm Monitor-series speakers roaming the earth since shortly after Rice and Kellog patented the dynamic loudspeaker as we know it in 1924. (The original practical design was by Peter Jensen, co-founder of Magnavox, some years earlier.) And as the arrival of its “Series 7” might suggest, the Canadian maker’s Monitor family does in fact date back a couple of decades. Like the speakers that preceded them, Paradigm’s new Monitor models are benchmarks of performance/value quotient in the best Canadian-speaker tradition: rationally priced, excellent-performing, technically advanced designs that compete very effectively with some far more costly “high-end” designs.

So what has changed for Series 7? According to Paradigm, the answer is smaller, deeper, broader: The new models are smaller in size (and so more décor-friendly), yet thanks to redesigned waveguides and the adoption of aluminum bass/mid cones and tweeter domes, they offer improved low-frequency extension and smoother, wider off-axis response. In other words, just like before — but more so.

Daniel Kumin  |  Dec 28, 2011  |  0 comments

The company that makes most everything (and makes most everything it makes pretty damned well), Yamaha has been tuning up its forks, and the result seems to be ever more feature-packed, value-focused designs.

Daniel Kumin  |  Nov 30, 2011  |  0 comments

When I reviewed one of the first of NAD’s long-awaited “new-generation” A/V receivers almost 2 years ago (can it be?), I liked it a lot.

Know what? I like this one even better.

Daniel Kumin  |  Oct 19, 2011  |  0 comments

Each generation of A/V receivers brings at least a few new features — one of which will prove useful while others stick out as head-scratchers that nobody asked for. You could hardly find a better illustration of this natural law than Pioneer’s new VSX-52, the sub-penultimate model of its latest Elite A/V receiver range.

Daniel Kumin  |  Oct 19, 2011  |  0 comments

I have something that I must confess: I’ve got a love/hate thing with soundbars. On the love side, these one- or two-piece, flat-panel-pandering “surround” systems have rescued tens of thousands of innocent suburbanites from the horrors of tinny TV tintinnabulation.

Daniel Kumin  |  Sep 20, 2011  |  0 comments

Once, all you needed to enter the receiver business was audio-engineering chops, competence in packaging efficiency, and a sharp pencil over the bottom line. That was then before the digital audio/video revolution and the birth of the A/V receiver as we know it. Today, you need at least as much smartsin the computer, DSP, and software/firmware fieldsas you do in plain ol’ audio, a fact that has thinned,and continues to thin, the herd of receiver makers noticeably.

Daniel Kumin  |  Sep 20, 2011  |  0 comments

RSL Speaker Systems is the current manifestation of Rogersound Labs, a SoCal company that goes back a few years — 30 or so, in fact. Like many speaker makers, RSL got its start through garage tinkering, in this case by Howard Rodgers, owner of a well-known retail chain of the same name. (How the “d” got dropped from the company name is a story for another day.)

Despite a long, successful run, the original RSL, again like many other speaker companies, eventually faded away. But after regaining rights to the company name just last year, the firm was reincarnated after a long hiatus by its founder and his family.

Daniel Kumin  |  Sep 13, 2011  |  0 comments

Yes, you're going to need a bigger desk.

If, that is, you consider the new Clarity HD Multimedia Speakers from MonsterCable (yes, the ex$pensive-wire people) to be "desktop audio." I do – they're flanking my 20-inch monitor as I write this, and while it's true that they rather crowd the work-top, they sound sweet enough in doing so that I'm willing to overlook their bulk.

Daniel Kumin  |  Aug 30, 2011  |  0 comments

Cambridge Audio is a British electronics maker with a long-running dedication to serious audio (minus the silly-expensive audiophile pricing) and a long-running commitment to quality digital playback. So, when the company first previewed a network music player in late 2010, it got my attention.

Daniel Kumin  |  Aug 24, 2011  |  0 comments

Typical tower speakers arrive with so many wonderful opportunities for self-injury: When you take them off the truck and when you haul them into the listening room, for starters. And that’s not to mention when you unpack them and set them up and when you adjust placement (especially with carpet spikes). But Oregon’s Aperion Audio, God love ’em, has finally delivered a tower speaker that even the most physically challenged audiophile can love: the Verus Forte.

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