Cambridge Audio is a British electronics maker with a long-running dedication to serious audio (minus the silly-expensive audiophile pricing) and a long-running commitment to quality digital playback. So, when the company first previewed a network music player in late 2010, it got my attention.
Typical tower speakers arrive with so many wonderful opportunities for self-injury: When you take them off the truck and when you haul them into the listening room, for starters. And that’s not to mention when you unpack them and set them up and when you adjust placement (especially with carpet spikes). But Oregon’s Aperion Audio, God love ’em, has finally delivered a tower speaker that even the most physically challenged audiophile can love: the Verus Forte.
As a lazy musician (redundant, yes) with a bad back, it have nurtured an enduring fantasy, that of discovering a 3-inch-cube loudspeaker that weighs less than a kilogram but delivers the output of a 15-inch JBL D-130.
Difficult though this may be to believe, not everyone in 2011 America can afford to earmark $1,500 for an A/V receiver — or even $500. Still more shockingly, not every person who can would even choose to. Well, then, how about $400? Onkyo apparently sees this figure as being a bit more like it.
Where do you start when converting a music collection to data files for home (and portable) playback? In the January 2011 issue, we defined key terms and explored the pros and cons of both lossy (data-compressed) and lossless (uncompressed) music-file formats. Now we'll put that knowledge to use. With space at a premium in these columns, instead of debating all the options I'll just tell you what I do and why, and hope that you can work out your best strategy from there.
Denon has been making A/V receivers for about as long as there have been A/V receivers, and it's rarely produced a bad one. The brand usually gleans more attention for its über-dollar high-end models than for the kind of high-value, midprice models that win the credit-card swipes of most buyers. But this new AVR- 991, with its suggested price under $1,000 and its rich feature set, may change that perception in a hurry.
There's a trend afoot in A/V-land to make even Flagship receivers simpler (at least on the outside), easier to use, and physically more compact and less intimidating. Now Yamaha has boarded this bus, not just with a single model but with an entire new family of AVRs it's calling Aventage (rhymes with fromage). Cheesy names aside, the news here is that, for once, "new and improved" really is: new form factor, new user interface, new network-ability, new remote control, and lots of new (or at least evolved) audio and video technology.
A check of Onkyo's Web site shows no fewer than 17 different A/V receivers on offer, an almost General Motors-like profusion of models. (I'm pretty certain, however, the U.S. government won't be stepping in on Onkyo's behalf should the consumer elec- tronics industry go south.) To be fair, a half-dozen or so are last year?s models, but still. C'mon, guys, 17???