DVD-Audio was the big story in our February/March 2000 issue, which devoted more than a dozen pages to the launch of a promising new multichannel music format hailed by Neil Young and other artists as audio’s second coming. Things didn’t quite turn out as planned.
LG today announced pricing and availability for the Super UHD TV series it previewed at CES 2016 and said all models will support the HDR10 and Dolby Vision high-dynamic range (HDR) formats. Dolby Vision will be added via a firmware update in Early April.
The 2016 lineup, featuring IPS 4K Quantum display technology, 10-bit color processing, and LG’s webOS smart TV platform, comprises nine models with 55- to 86-inch screen sizes. Models with 55-, 60- and 65-inch screens from the UH7700 and UH8500 series will be available later this month at prices ranging from $1,800 for the 55UD7700 to $3,000 for the 65UH8500.
LG said 65- and 86-inch models in the flagship UH9500 series will be available later this spring at $4,000 and $10,000, respectively. The 75-inch 75UH8500 is also slated for later introduction at $5,000.
The company said it is working with Amazon Video, Netflix, and VUDU to offer HDR content streaming via its webOS interface.
Most major studios have announced support for Dolby Vision and Dolby estimates as many as 100 titles could be available by the end of 2016.
Just over half (52 percent) of all U.S. Internet homes have at least one TV connected to the Internet, representing an increase of 6 million homes over the past year, according to a new report from NPD
Sam Runco, the founder and driving force behind Runco International, with the Emmy Award he received in 2013 for his pioneering development of aspect ratio control.
Remember Runco? The brand founded by larger-than-life personality Sam Runco, who built a company that became synonymous with high-end video projection, is being quietly laid to rest, according to a recent report in the trade magazine CEPro.
Expect to see more Hisense and Sharp brand TVs hit store shelves this year. Models from both of those brands began moving through the production line last week at a 1.3 million square-foot facility in Rosarito, Mexico.
Dismissing the notion of product development shrouded in secrecy in an isolated corner of a remote R&D lab, Sony’s new Future Lab Program plans to share early prototypes to get real-world feedback on what’s good and not so good about work-in-progress technology.
As of late February, Star Wars: The Force Awakens had raked in more than $2 billion at box office, a monumental success due in large part to an incredible behind-the-scenes effort from some of the film industry’s most talented audio and visual professionals.