Oblivion
Plot-wise, Earth is barren and largely uninhabitable following a nuclear war to repel invading aliens. Cruise plays Tech 49, Jack Harper, whose memory has been wiped and presumably reprogrammed so he can form an “effective team” with his workmate Victoria (who looks and acts like a Dana Scully robot with a British accent) in order to repair drones whose sole job is to blow the holy living crap out of Scavs, ostensibly the remnants of the defeated alien invasion force. Jack and Victoria are just two weeks of drone repair away from being retired to a human colony on Saturn’s moon, Titan.
After a while, it’s pretty apparent that the Scavs aren’t aliens since the Blu-ray cover shows that Morgan Freeman is in the movie but he doesn’t appear. (Among South Park’s many witty pop-culture observations is that Morgan Freeman’s character is always the one who explains everything in his movies, and so it is here.) Then there’s the mystery woman Tech 49 incessantly dreams about, who one day falls out of the sky and is real. What the movie doesn’t owe to Wall-E it owes to the novels/movies of Philip K. Dick. And like too many recent sci-fi movies, the end game involves shoving a nuke up the bad guys’ backside (Man of Steel and Pacific Rim, I’m looking right at you).
I guess in liking Oblivion more than it probably deserves, I’m giving extra credit for the earnest effort in making a big-budget sci-fi movie based more on ideas than CGI bombast, even if the ideas are pretty derivative. I admire it more for what it tries to do than what it actually accomplishes.
Captured digitally, the image quality is flawless, especially the background plates apparently shot in stunningly beautiful areas of Iceland. Ultra sharp and detailed, and virtually impeccable. The sound design is as extraordinary as the visuals. All of the individual sound elements are distinctive and convincing, surrounds are aggressively engaged at all times, and there’s relentless subterranean bass, superior ambience, and especially explosive dynamic range. This is a reference-quality, show- off-your-home-theater experience. Extras include a commentary with Kosinski and Cruise, an excellent five-part making-of feature, and deleted scenes. Cooler still is M83’s score isolated in 5.1-channel, 24-bit/96-kHz Dolby TrueHD.
Blu-Ray
Studio: Universal, 2013
Aspect Ratio: 2.40:1
Audio Format:
DTS-HD Master Audio 7.1
Length: 125 mins.
MPAA Rating: PG-13
Director: Joseph Kosinski
Starring: Tom Cruise, Morgan Freeman, Olga Kurylenko
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