Sid & Nancy

Picture
Sound
Extras
Writer/director Alex Cox wrote a script for a fictional rockumentary about highly original and articulate Johnny Rotten, writer/lead singer of The Sex Pistols. It might have been an extremely rewarding movie. Instead, he made Sid & Nancy, which focuses on two talentless, star-crossed, star-struck dope heads. Yet the film manages to capture the era’s excitement, disrespectful mockery, and aggressive antisocial attacks on mainstream consumer beliefs.

1117sidnancey.box.jpgCinematographer Roger Deakins’ moody half-lighting captures all the gritty dirtiness, scum-covered filth, and squalor of 1970s London and New York with plentiful detail in shadows and differentiation in the bricks Sid bashes his head against. There are deep blacks in leathers, spiky hair, and sunglasses, and rich tones in Nancy’s throw pillows, Rotten’s orange hair and multi-colored mohair pullovers, and Union Jacks. Natural skintones reveal wan faces and track-marked arms.

A 5.1-channel remix throws atmospherics in the surrounds and immerses you in the score, which works for the incidental music but not for the wonderfully re-created “live” Pistol songs, even though they become fuller, cleaner, and more sonically balanced. I consistently preferred the down-and-dirty stereo originals, which seemed more authentic coming at you from off the stage, with appropriate hiss and tininess. 5.1 remixes work for The Beatles, but for punk rock, it’s just too symphonic and not street enough. Nonetheless, in both options, every snarl and sneery, slurring lyric is spat out clear and well separated across the front.

1117sidnancey.2.jpg

Six hours of extras help set the whole story straight. One commentary includes co-screenwriter, critics, and other filmmakers of the era voicing frustration at how the punk generation’s disillusionment and its characters are so inaccurately and shallowly depicted. A raw, raucus archival documentary mixes behind-the-scenes footage with off-hand throwaways by the irreverent director and cast. Three featurettes cover the disastrous 1978 American tour, one with an interview with Vicious passing out and footage of him assaulting fans. The Pistols’ notorious foul-mouthed TV appearance and TV journalist Janet StreetPorter’s brilliant 1976 exploration delivers accuracy, depth, and insight on the early punk phenomenon—as it’s happening.

When Rotten (as John Lydon) was asked, “Did the movie get anything right?” his reply was “Maybe the name Sid.”

Blu-Ray
Studio: The Criterion Collection, 1986
Aspect Ratio: 1.85:1
Audio: DTS-HD Master Audio 5.1, LPCM 2.0
Length: 113 mins.
MPAA Rating: R
Director: Alex Cox
Starring: Gary Oldman, Chloe Webb, Andrew Schofield

COMMENTS
Leurtas's picture

It’s fascinating to think about the potential of a rockumentary scripted by Alex Cox focusing on Johnny Rotten, a figure synonymous with originality and eloquence within the punk rock movement. Such a film could indeed have offered a distinct narrative compared to "Sid & Nancy." However, Cox's actual choice to portray the turbulent lives of Sid Vicious and Nancy Spungen in "Sid & Nancy" also holds its own merit, vividly bringing to life the era’s raw excitement and defiant attitude towards societal norms.

Interestingly, the visual aspect of the film, particularly Nancy's hair, evokes its own discussion. Nancy's hairstyle, which appears almost wig-like in its dramatic presentation, recalls the type of wigs that have been popular historically and continue to be sought after today. These styles, reminiscent of what you can find on platforms like True Glory Hair https://truegloryhair.com/collections/virgin-brazilian-wigs emphasize a bold and unapologetic aesthetic that resonates well with both past and current fashion trends, enhancing the character's rebellious persona.

X