Projector Reviews

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Ultimate AV Staff  |  May 24, 2006  | 

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Thomas J. Norton  |  Apr 23, 2006  | 

When manufacturers announced the first three-chip DLPs aimed at the home theater market, my first thought was, "I'm there!" One thing about even the best single-chip DLPs continued to bug me: those pesky rainbows.

Fred Manteghian  |  Jun 13, 2005  | 

Early DLP projectors gave me headaches, literally. What's more, as little as 15 minutes in a darkened room with a DLP projector left me unable to read the printed word. I doubted Texas Instruments, manufacturer of the micromirror technology used in every DLP display, would ever have considered using me in one of their commercials. Imagine staring at large red and green dots while someone shakes your head violently enough that you begin seeing yellow. Welcome to my migraine.

Kevin Miller  |  Jun 11, 2002  |  First Published: Jun 12, 2002  | 
�SIM2 enters the one-chip-DLP arena.

SIM2 is a large Italian projector manufacturer that has been making inroads into the U.S. video market for the last several years. The company is squarely behind DLP technology and has introduced a high-resolution 1,280-by-720 one-chip DLP projector as the most recent addition to their Grand Cinema line. The HT300 is one of only a few of these new one-chip wonders on the market and is the most attractive DLP projector currently available, with a design that reflects all of the heritage and flair of its Italian creators. It's housed in an attractive dark-gray case with a metallic high-gloss finish called gunmetal gray, which is the only color this handsome projector comes in. The HT300 is extremely compact, measuring 13.7 by 7.2 by 12.5 inches (L/H/D) and weighing a mere 12.1 pounds.

Steven Stone  |  Jun 18, 2002  | 

DLP projectors are the future. Of course, Sony and Philips said the same thing about the compact disc in 1983. When I heard my first CD player, the Sony CDP-101, I lasted 15 seconds before I left the room&mdash;it sounded that horrible. The first Digital Light Processing (DLP) projector I laid eyes on fared much better. I watched it for a full five minutes before I fled, blinded by the "rainbow effect."

Thomas J. Norton  |  May 17, 2003  | 

The CRT is a relatively stable, mature technology, but the new digital projection systems, particularly Texas Instruments' Digital Light Processing (DLP), are moving targets. Last year, DLP really came into its own for home theater with the introduction of TI's HD1 Digital Micromirror Device (DMD). Not only did the HD1 have a true 16:9 widescreen aspect ratio with 1280x720 resolution, but DLP projectors based upon it were significantly better than earlier designs, particularly in the depth of their blacks.

Gary Merson  |  May 01, 2004  | 
SIM2's new HD2+ DLP projector delivers the goods.

Digital Light Processing front projection has a short but interesting history. It began in the late '90s when the first consumer DLP projector was marketed. This new type of display—which uses a tiny, reflective chip called a DMD (digital micromirror device) that contains hundreds of thousands of hinged mirrors (instead of miniature LCD panels)—provided consumers with an early look at all-digital imaging. This primitive effort made big pictures, but it had many picture-quality issues.

Shane Buettner  |  Sep 12, 2006  |  First Published: Sep 13, 2006  | 
  • $15K
  • 1920x1080 single-chip DarkChip3 DLP
  • Key Connections: Dual HDMI and component inputs
Features We Like: 1080p, full 10-bit BrilliantColor processing by TI, 7-segment color wheel , advanced color management system, vertical lens shift
Ultimate AV Staff  |  May 24, 2006  | 

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Ultimate AV Staff  |  Oct 24, 2006  | 

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J. Gordon Holt  |  Dec 11, 2002  | 

At 27 inches long, 77 pounds, and $7895 list, the SVP 420HB from SIM2 Multimedia is the least expensive, smallest, lightest CRT projector I've ever had in my home&mdash;although it's not exactly what I'd call portable. (Normally, my personal schlep limit is 55 pounds. One martini takes it to 65, but 77 pounds would mean a week in bed.)

Mike Wood  |  Mar 28, 2000  |  First Published: Mar 29, 2000  | 
Sèleco shows us that you can get excellent color fidelity and great resolution at a budget price.

If you don't want a front projector, you should. Projectors rock! A big-screen image is the only way to get that cinematic feel with home movies (prerecorded movies, that is—not the jittery Handicam shots of your baby's first steps).

Kris Deering  |  Mar 09, 2009  | 
Price: $3,500 At A Glance: Price-leading contrast performance • Smooth, film-like images • Limited features

Sony Brings SXRD to the Masses

Sony turned the high-end projector world on its ear with the introduction of the VPL-VW100 SXRD projector. The VPL-VW100 offered resolution and performance far beyond other projectors at or near its price point. Sony has continued to push that envelope with more and more SXRD offerings at lower price points. The latest is the VPL-HW10, which is the lowest-priced SXRD projector yet at $3,500. It brings the high resolution and high contrast of SXRD to the budget market.

Thomas J. Norton  |  Mar 08, 2010  | 
Price: $3,000 At A Glance: Deep blacks • Accurate color • Superb image depth

Sony’s new BRAVIA VPL-HW15 is a reworking of last year’s VPL-HW10. At a modest $3,000 (modest as projectors go, that is), the VPL-HW15 offers a useful lineup of features and a picture that I didn’t expect at this price. With exceptional color, barely short of state-of-the-art blacks, and vivid, almost 3-D images on the best program material, it…. OK, I’m in danger of giving away the store up front. Read more to get the details.

Description
The VPL-HW15’s gently curved top echoes the look of Sony’s higher-end VPL-VW85, while the lens that recesses into a sculpted front panel does not. The controls and inputs are located on the side.

Thomas J. Norton  |  May 18, 2009  | 
Price: $8,000 At A Glance: Superb contrast and black levels • Excellent color • Unique adjustments

It should be obvious that the cost of a great home theater projector keeps coming down. At $8,000, Sony’s new VPL-VW70 includes many features that distinguished its earlier, more expensive designs, improves on them in some important respects (particularly black levels), and brings a few new wrinkles of its own to the party.

Description
The large, relatively heavy Sony is easily the looker of this group. If you replaced its lens with a laser cannon and added a bridge bubble on top, its curvy, sci-fi-inspired shape wouldn’t be out of place swooping overhead at the beginning of Galaxy Quest II: The Wrath of Melmac.

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