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Geoffrey Morrison  |  Apr 09, 2012  | 

For most people, running a 1-meter HDMI cable to their TV is the only connection they need to make to experience a glorious 1080p picture. But mount that TV on a wall, or decide to go with projection, and you have a problem: the wires. Sure you can run HDMI cables through your walls or ceiling (or down to your basement), but sometimes that's just not easy - or possible.

As Daniel Kumin found in his recent "Something in the Air" article, sending HD signals wirelessly is not only possible, it's now practical, and even affordable.

New on the scene is DVDO's Air, one of the more interesting-looking products in this category. Curious how well it stacks up? How convenient. Me too.

Brent Butterworth  |  Apr 11, 2012  | 

Here’s a product that had three strikes with me before I ever heard it. First there’s the name, which seems more appropriate for a Frito-Lay product. Then there’s the lineage: JBL’s smaller, less-expensive docks never impressed me. Last, Maroon 5 appears in the ads. What, I ask rhetorically, would the creators of “Moves Like Jagger” know about sound quality?

Geoffrey Morrison  |  Apr 13, 2012  | 

If you haven’t listened to the brilliant Sound+Vision Radio program, you’re missing out. I say “brilliant” not in a self-serving, egomaniacal way.

Wait, of course that’s why I’m mentioning it. But don’t let my ego prevent you from enjoying the witty banter and in-depth discussions of all things A/V, music, movies and more.

Links to local affiliates where you can hear us, plus podcast links and such, after the jump.

Brent Butterworth  |  Apr 16, 2012  | 

Many audio manufacturers have addressed the changes that room acoustics afflict on our sound systems. But until a week ago, I knew of no audio manufacturers who’ve addressed the changes that our hearing causes on sound.

Michael Berk  |  Apr 16, 2012  | 

Today we take a look at some more fallout from the personal listening explosion, with an assist from the vinyl revival and the continuing rise of electronic music. Visit a headphone retailer these days, you'll find a lot of models meant, supposedly, for the professional DJ - or at least meant to make the casual listener look like they might be the sort of person who spends a lot of time at the decks.

Brent Butterworth  |  Apr 18, 2012  | 

This week may be the most eventful in history for surround-sound geeks. Yesterday, one of the biggest names in surround sound — DTS — announced it had acquired another of the biggest names in surround sound, SRS.

Brent Butterworth  |  Apr 20, 2012  | 

You gotta say this for House of Marley: They keep their branding consistent. The new Bag of Rhythm iPhone/iPod dock isn’t some sleek, silvery concoction designed for some baldhead to keep on his credenza while he’s dreaming up new ways to exploit the working class. Nope, the Bag of Rhythm is built to sling over your shoulder, carry to the park, and play reggae tunes when your drum circle takes a break.

Geoffrey Morrison  |  Apr 23, 2012  | 

It’s hardly a new trend, hiring a high-end audio company to design — maybe build — an audio system upgrade for a car. Bose does it all the time, as do THX, B&W, Lexicon, and B&O

It’s win-win, better audio, a bit of extra profit, and brand exposure for the audio company. But when it’s a pairing of two storied companies like Porsche and Burmester, color me interested.

Conveniently, that color is “Yachting Blue.”

Geoffrey Morrison  |  Apr 25, 2012  | 

Burbling quietly as it rolls down the back of the flatbed truck, the Panamera appears an expansive stretch of undulating blue sheet metal. With nary a paper to sign, the delivery driver hands me the keys and says, “have fun” with a wry smirk.

Because it amuses me (and probably my neighbors), I park it next to my 1975 Porsche 914, which cost me a hair north of 1% of the sticker price of its great-great-grand sibling.

It’s going to be a good week.

Geoffrey Morrison  |  Apr 27, 2012  | 

I had no intention of seeing Titanic in 3D. This wasn’t a “Hmmm, should I” type decision. At no point was the option of going to a theater and seeing this movie in faux-3D a valid option in my brain. It was up there with “run marathon,” “time travel,” and “read Twilight” on the list of things I know I will never do.

Well, last night I saw it — James Cameron’s retrofitted 3D masterpiece. And you know what, I expected to hate it. . . and didn’t. As someone who reviews 3D crap — sorry “stuff” — for a living, here’s my take.

Geoffrey Morrison  |  May 02, 2012  | 

The ability of a display to upconvert standard definition content (like a DVD, or many cable/satellite channels) was once a key component of its overall performance.

But now, most TVs do a reasonable job, and more important, I don’t think most people actually have any SD content.

Should we bother to continue testing it?

Geoffrey Morrison  |  May 04, 2012  | 

One of the most common requests I get by email, and in comments on reviews, is to share what picture settings I've used to achieve the best image.

To put it bluntly: no. This isn't because my settings are some big secret, it's because I honestly believe sharing them is a bad idea, and I'd be doing more harm than good.

And once I list the reasons why, you may even agree with me.

Geoffrey Morrison  |  May 09, 2012  | 

It is the job of every generation to complain that the younger generations are inferior, or headed for destruction, or whatever the latest cause célèbre is. Even in the lifetimes of those reading this blog, it's easy to point to the mass hysteria surrounding rock and roll, then heavy metal, then rap, then video games, as examples of one generation making mindless accusations about another.

In the audio world this is just as common, it's ongoing, and Harman has released a study that shows that the old people need to shut the hell up (I'm paraphrasing).

Geoffrey Morrison  |  May 11, 2012  | 

I am not naive enough to think that the gaming industry's primary desire is anything other than to make money. As an industry, they're really good at it, making more than the movie and music industries combined.

The past year has seen an explosion of "Free to Play" (F2P) games that are, well, free to play. Lately, storied titles like Tribes have been reborn in this model. More titles in development aim directly at this new pricing strategy.

But is it good for games, and more importantly, is it good for gamers?

Geoffrey Morrison  |  May 17, 2012  | 

Announced today, Dolby has added a new trick to their TrueHD encoding. It allows studios and authoring houses a way to upconvert standard 48 kHz content (the sampling rate of most movies) to 96 kHz for Blu-ray.

At an event at Dolby headquarters in San Francisco, I got a chance to hear the results. Interestingly, it was quite... interesting.

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