Scott Wilkinson

Scott Wilkinson  |  Feb 08, 2010

Most home-theater geeks prefer to buy separate components in order to optimize the performance of each one and allow them to be swapped out independently for repair or upgrade. But what if you don't have enough space to accommodate all those separate devices? <A href="http://www.usa.denon.com">Denon</A>'s answer is the new S-5BD, which combines a full-featured Blu-ray player and AVR into one compact package.

Scott Wilkinson  |  Feb 05, 2010

To paraphrase The Firesign Theatre, we're all A/V geeks on this bus. We can't get enough about Blu-ray players, high-def displays, receivers, speakers, room acoustics, content creation and distribution, and all the other elements that contribute to an exceptional audio/video experience. To feed that need, I'm delighted to introduce a new feature to <I>UAV</I>&#151;<A href="http://www.ultimateavmag.com/podcasts/">Home Theater Geeks</A>, a weekly, hour-long podcast in which I chat with the most important and influential technical experts in our industry about all things audio and video.

Scott Wilkinson  |  Feb 04, 2010

Storing and accessing music on a computer has become commonplace, even for audiophiles, but getting that music to your audio system without sacrificing sound quality has always been a challenge. At CES, French high-end audio company <A href="http://en.micromega-hifi.com/">Micromega</A> introduced a unique solution to this problem—the WM-10 AirStream, the world's first wireless DAC (digital-to-analog converter).

Scott Wilkinson  |  Feb 03, 2010
More Power!
Years ago, I was told that there were several ways to rate the power output from an amplifier, but only one of those ratings was the "true" measure—RMS or continuous power. The Federal Trade Commission (FTC) got into the act back in the 1970s, requiring all amps over 5 or 10 watts to be rated in RMS watts with both channels driven. That requirement was lifted in the '80s, and now when I read power output specs, I don't know if they are RMS (root mean square), IHF (Institute of High Fidelity), or something else. Could you clarify this confusion?
Scott Wilkinson  |  Feb 02, 2010

Last Sunday, my wife and I joined 25.8 million of our closest friends to watch the 52nd Annual Grammy Awards on CBS. So why am I writing about it here? Because this is <I>Ultimate AV</I>, and the Grammys are all about the best in audio <I>and</I> video. The audio part is obvious&#151;this is "music's biggest night" honoring the best recording artists, and all the performances are live, a technological tour de force in its own right. But the show is no less dedicated to video, both on stage and in the home.

Scott Wilkinson  |  Feb 01, 2010  |  Published: Feb 02, 2010
Stacey Spears and Don Munsil, creators of the HD Benchmark setup and test Blu-ray, discuss the importance of test patterns for consumers, video compression and processing, 3D, online content delivery, and more.

Run Time: 1:21:30

Scott Wilkinson  |  Feb 01, 2010

Horn speakers have been around almost since the invention of electrical-to-mechanical transducer technology, and they still enjoy widespread use today, especially in commercial cinemas. But cinema speakers use horns that limit the vertical dispersion of their sound, whereas circular horns used by a few high-end speaker manufacturers radiate sound in a spherical pattern. Among the proponents of this approach is German maker <A href="http://www.acapella.de/en/">Acapella</A>, which introduced a new model to its lineup at CES, the High Violoncello II, which, like all Acapella products, is distributed in North America by <A href="http://www.aaudioimports.com">Aaudio Imports</A>.

Scott Wilkinson  |  Jan 28, 2010

Known primarily for high-end, high-quality electronics, <A href="http://www.passlabs.com">Pass Laboratories</A> has conceived its third speaker model. First came the 4-way Rushmore in 2003, which was followed by the 4-way SR-1 in 2008, so named because it was the first "son of Rushmore." At CES, the company introduced the SR-2, promising superb sonics in a smaller package.

Scott Wilkinson  |  Jan 27, 2010  |  Published: Jan 28, 2010
THX Senior Fellow and Director of Education John Dahl talks about THX's guiding principles and training courses, the importance of room/speaker/consumer interaction, perforated screens, 3D, and more.

Run Time: 1:04:16

Scott Wilkinson  |  Jan 27, 2010

It seems as if high-end iPod docks are all the rage these days. Take, for example, the Art.Station from the <A href="http://www.dwcollection.com">David Wiener Collection</A>.

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