Tom Norton

Tom Norton  |  Sep 07, 2012
Digital Projection was featuring Its D-Vision 35 LED ($39,000 with lens) and D-Vision Scope ($34,995). Both are single-chip home theater designs, identical in form factor to the photo here, but very different in their features. The D-Vision LED uses LED lighting (duh!) for consistent color and long life, though with some sacrifice in brightness. The D-Vision Scope has a higher than HD resolution chip that enables projection of 2.35:1 films without an anamorphic lens and with an on-screen pixel density of 2560 x 1080. Both looked outstanding, though I favored the brightness and big screen capability of the D-Vision Scope.
Tom Norton  |  Sep 07, 2012
At its Friday press event, SIM2 Multimedia featured its M.150 single chip DLP projector with LED illumination. Normally, LED-based projectors aren’t very bright, but this one lit up the screen. It might have helped that the 125-inch diagonal screen was a DNP Supernova with a gain of 2.4. Surprisingly, this screen had no perceptible hot spot and little fall off in brightness at off-axis angles, making it a viable alternative for LED-lit projectors like the M150.

SIM2 also launched, but did not demonstrate, its SIRIO high Brightness 3D projector (shown in the photo above). Its single-chip DLP dual lamp design (2 x 300W) is claimed to offer higher brightness than other dual lamp projectors. The projector body by itself is $25,000, and a variety of lenses are available at extra cost. The projector will go on sale in late October.

The company also announced a $1000 drop in price for its base line, single-chip DLP models. The Crystal 35 is now $5000, the Crystal 45, $7000.

A price was also announced for the Cinemaquattro 4K projector mentioned in an earlier blog: $158,000, not including lens, of which there will be a variety available. Just in case you were hovering on the edge of your seat before writing that check. The projector is based in a professional Christie design; the light output also mentioned earlier will depend on the chosen lamp configuration and lens.

Tom Norton  |  Sep 06, 2012
Stewart Filmscreen has long been known for top quality projection screens, available in a blistering variety of screen materials. But they aren't exactly Blue Light specials. To attract more consumers to the benefits of a projection setup, Stewart has introduced a line of screens more affordable than its other offerings. Called the CIMA line, these screens will all be 16 x 9, fixed frame, and available in a range of standard sizes. Two materials will be available: grey with a gain of 0.9 and White with a gain of 1.1.

For those who have the spare cash, Stewart also demonstrated the latest version of its Director's Choice screen, offering an almost infinite variety of aspect ratios, settable and selectable by motorized masking at the touch of a button. The 15-foot wide model shown retails at just short of $60,000.

Tom Norton  |  Sep 06, 2012
No price was announced for it today, but SIM2's Multimedia's Cinemaquattro must be that company's most pricey offering. Offering a full 4K resolution and a 3-chip DLP engine, it claims a brightness of up to 10,000 ANSI lumens from its 2kW Xenon lamp. As with all pro-derived projectors, its chassis is sold separately from its long list of available lenses. SIM2's PR maven, Lucette Nicoll, stands by to give you an idea of its size. It weighs 251 lbs.
Tom Norton  |  Sep 06, 2012
Epson's long delayed LCOS (reflective LCD) projector caused quite a ruckus when it was demonstrated at the 2010 CEDIA. But it was never released and has now gone back to the drawing board. So don't look for it any time soon.

But there is a new Epson LCD in town, the PowerLite Pro Cinema 6020. The claim of 2400 lumens and a peak contrast ratio of 320,000:1 would, if realized, be industry highs. The refresh rate of 480Hz is said to increase the 3D brightness. At under $4000 when available in November, the projector will come with 2 pair of active 3D glasses, a spare lamp, and a guarantee of an exchange if, on delivery, there is even one dead pixel.

Tom Norton  |  Sep 06, 2012
It seems that every screen maker these days is offering a 2.35:1, curved screen. The advantage to such a screen is its cinematic look. The disadvantages are possible geometry issues, cost, the fact that it can't be retracted, and possible audio concerns (a concave surface near your speakers isn't a plus). Elite joins the parade with its Lunette curved screens, available with several different screen materials, including a new woven acoustically transparent design (with an effective gain of under 0.9) and the company's 1.1 gain non-perf white.

The surprise here is the price structure. In a world where some curved screens command five-figure price tags, a 103-inch diagonal Lunette will set you back about $1500. Other sizes are available. Unfortunately, the woven, acoustically transparent screen will almost double that price. That's because while Elite screens are made in China, the woven material is available only in the U.S.

Tom Norton  |  Sep 06, 2012
VEFXi is a new company (to us at least) with a plan to convert 2D to 3D on your 3D HDTV set. You say your set can already to this. as most can? But not quite like this, as VEFXi clearly demonstrated with its 3D-Bee Diamond ($699); It was the most convincing conversion I've yet seen, producing a a convincing illusion of 3D popping out of the set rather than existing mostly behind the screen's frame.

The company is also working on a glasses-free 3D solution, the 3D-Bee Ultimate, but the demo showed that this still needs work to produce an acceptable, artifact-free picture.

Tom Norton  |  Sep 06, 2012
First impressions on the first day included the absence of some major players (Samsung, Panasonic, and apart from a small off-site event to launch its 4K, 84-inch HDTV, LG) leaving Sony the only heavy hitter in the flat panel business present. Many booths were smaller. Bowers&Wilkins/Classe/Rotel were hardly the only ones to downscale their square footage on the show floor-though in their case they have also set up shop at an off-site hotel.
Tom Norton  |  Sep 06, 2012
While most of the booths may have been smaller, first day trafic at the show appeared to be good, though the wider isles made it seem less crowded than it might have otherwise.
Tom Norton  |  Sep 06, 2012
JVC announced nine new LCOS projectors at its Thursday CEDIA press conference. As before, these fall into two lines, Procision (consumer) and Reference (pro), each of which have models that differ only in model number (with one exception, the Reference DLA-RS4810 at $5095, which does not have a Procision equivalent).

All but the base model in each line employ JVC’s e-shift2 technology, which upconverts 2D HD content to 4K, i.e. 3840 x 2160 (as last year, the projectors cannot accept a native 4K source). Further video processing then manipulates this upconverted signal to operate with the projectors’ 2K (1920 x 1080) LCOS imaging chips.

E-shift2 is an upgrade from last years e-shift. Compared to e-shift, e-shift2 is said to sample 12 times as many pixels in its processing. It also simplifies the light path for higher brightness. The new projectors are said to produce higher native contrast ratios than last year’s models, with the top of the line designs said to achieve 130,000:1. The lamps in the new lineup are also specified to 4000 hours, with more stable brightness levels with increasing hours. You can also operate the projectors from your smart phone or tablet with a downloadable application.

The top two models in each line carry ISF and (pending) THX 3D certification. E-shift2 now extends down to a new $5000 price point with the DLA-X55R (Procision) and DLA-RS48 (Reference). The top models are the DLA-X95R and DLA-RS66, each at $11,999. The popularly priced DLA-X35 and DLA-RS46, which do not have e-shift, will retail for $3500. 3D glasses and a 3D transmitter are optional. Delivery of these new models is expected before the end of the year.

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