Tom Norton

Though outwardly similar to last year’s VPL-HW30ES, Sony’s new VPL-HW50ES (available in October) is an updated design. It incorporates the same Reality Creation processing as the company’s flagship VPL-VW1000 4K projector, scaled down here for 2K operation. There’s a new Iris 3 algorithm for the projector’s advanced dynamic iris, for a claimed dynamic contrast ratio of 100,000:1. The light output is also said to be increased by 30% to 1700 lumens. The 3D transmitter is internal, and the 240Hz panel is claimed to reduce 3D crosstalk. There’s also a 2D-to-3D conversion mode and a 244-zone panel alignment feature to insure convergence.

While at $4000 the VPL-HW50ES is more expensive than the HW30ES (which remains available at a reduced price of $3000), the new projector’s price includes 2 pair of active 3D glasses and a spare projection lamp.

I remember CESs of long ago—that's about five to ten years, an eternity in CES time— when all of the literature handed out was in print form. Now it's typically on a flash drive, a disc (and even they are getting thinner on the ground—particularly the tiny ones that can't be used on Mac computers) or a simple card with directions to a news-release website. But not always; there's still a pile of paper to deal with, like the 6-inch stack I brought home with me. Luckily I drive to the show.

One of the realities of blogging at CES is that we here at Home Theater cover the video news first, which means that most of the video-related entries end up at the bottom of the blog pile, with the later, heavily audio-related entries at the top. That's why the blogs here are front-loaded with audio. Much of the serious high-end audio is at the Venetian Hotel, well removed from the of the circus atmosphere at the Las Vegas Convention Center where just about everything else, including the video, resides.

You may see a lot of audio entries below and wonder why? Well, for my part, I can't escape my roots of a dozen years or more writing the Stereophile. But more importantly for our present purposes, speakers are speakers, and I spent most of my time at the Venetian scoping them out. While many speakers that you'll see here will be inappropriate for home theater, largely because their manufacturers don't see fit to make matching center channel speakers for them, the technology involved is still fascinating. To me, anyway.

Available either alone ($1000) or with a small subwoofer and surround satellites ($2000), GoldenEar's new SuperCinema 3D Array is an unpowered soundbar (requires an external, customer-provided AVR) that appears to effectively compensate for the limited spacing of its left/right channel drivers by a second set of internal drivers to "effectively cancel out [the] crosstalk distortion between the left and right channel[s]." I spend some time listening to it, and was surprised at how effective it was. More importantly, its overall performance, while no substitute for good, well separated conventional speakers (of which GoldenEar makes more than its well-received share) was remarkable and well worth considering by those who need a space-saving, home theater solution.

Fortunately, RBH does make speakers for the rest of us, I didn't get sufficient information on the model shown here, but it appears to be an update on the RBH 8300-SE which sells for $9700. That's hardly cheap, but not outrageous in today's high-end speaker marketplace.