The BluWavs Headset from Mozaex is the first truly discrete 7.1-channel headphone, with 10 individual and individually driven drivers. They come with a console that provides full amplification for a package price of $1299. An optional multiband graphic equalizer (for the front channels only) adds $300. They were effective, though the frequency balance of the prototypes on display needs a little more TLC, as does the comfort for this large, heavy design.
Schneider displayed its extensive range of anamorphic lens options. The company makers some of the best (and most expensive) such devices on the market, with a wide range of mechanisms to move the lens into and out of position. The device on the right is the latest such rig.
Marantz was on hand with its latest surround preamp-processor and 5-channel amp. Apart from slightly increased price, the AV7701 7.2-channel pre-pro ($1700) is similar to last year’s model. The 5-channel, 140 WPC, MM7055 power amp is priced at the same $1700.
If there was a theme to this year's CEDIA EXPO, it would be The Rise of the Soundbar. While these devices are incapable of reproducing the full impact of a 5.1 or 7.1 surround system consisting of discrete speakers and a subwoofer, they are undeniably convenient. And many of them sound better than you might imagine. One such is this fully powered $900 model from Atlantic Technology. The driver configuration is 2-channels, but has internal processing that is said to offer a three or five channel ambient experience from a Dolby Digital or DTS surround source.
Using H-PAS technology, the Atlantic claims extension down to 47Hz without a subwoofer. While there was a trend at the show toward ultra thin soundbars, most of the latter required a subwoofer to go that low. The Atlantic is 6.5-inches deep, and may be wall mounted, shelf-mounted, or positioned on top of your stand-mounted flat panel using special brackets designed for this purpose.
The Klein K-10 Cinema Pro tri-stimulus colorimeter may not do absolutely everything that twice as expensive color spectroradiometers will do, but it comes close, is much faster, and will read much lower light levels. At $5900, it must be used with color calibration software such as the SpectraCal we use for our reviews. (Not coincidentally, it was being demonstrated in the SpectraCal booth.)
The Darbee video processor is said to cleanly enhance a video image. Based on what I saw at CEDIA (and based on Kris Deering's review that's available on this site) it does the job surprisingly well. I did notice, however, that if there are artifacts in the source material it will enhance those as well! But the degree of enhancement is adjustable.
The Darbee Fidelio, not yet available, will be a more upscale version of the current Darbee video processor when it ships at a date TBD (the basic Darbee will still be in the line). It is expected to sell for around $2000 and offers not only video enhancement but a touch screen interface, Video EQ, Multiple inputs and modes, and downloadable features.
Seymour-Screen Excellence showed its new, acoustically transparent screen that does the job without an obvious weave or visible perforationsthough its surface does have some texture to it. It's available in a variety of formats including fixed frame, retractible (masked or not) and curved widescreen. A 100-inch wide, retractible, 2.35:1, flat model will cost you about $4000. For masking, add $2000.
When it comes to high-end speakers, Sony has had tough sledding in the U.S. market, despite some quality products. Its current SS-AR1 and SS-AR2 are excellent designs, but at $27,000 and $20,000 per pair respectively, they'll be a hard sell to any but the passionate and well-healed audiophile.
So when I saw a new pair of concept speakers side-by-side with Sony's new 84-inch, 4K flat panel on the company’s show floor booth I was intrigued. They weren't getting much attention from the CEDIA crowd, of course. All eyes were on the HDTV, and the sound was at a very low level and drowned out by the general din of the convention center din.
But the speakers were being demonstrated rather secretively at a nearby hotel. The official introduction is still weeks or months away (possibly at the Rocky Mountain Audio Fest in Denver in October but more likely at CES in January), so it’s all very hush-hush for now. If I tell you more about them here I’d have to kill you. But you can get a closer look in the following entry, including the speaker’s unique tweeter arrangement. For now I'll just say that they will get a lot of positive attention when they arrive officially. The pricing is still TBD, but will be lower, and perhaps considerably lower, than the SS-AR1 and SS-AR2. And unlike be those determinedly 2-channel designs, matching centers, bookshelves, and subs will be available.