I just finished a plasma TV review for an upcoming issue of S+V. As I was writing up its brightness and contrast ratios, I realized there could be some confusion about the numbers.
If you measure the contrast ratio of plasmas (all plasmas, not just this one) the same way you do other types of televisions - namely LCDs and projectors - they post poorer numbers than other technologies.
This isn't a performance issue as much as it's a measurement issue. And why that is . . . that's kinda interesting.
"It's great, I never have to pay for music again!" Such was the exclamation from someone I know in regards to Spotify.
I was baffled at first, but the more I thought about it, the more it annoyed me. Because my acquaintance isn't alone in this thought. It's prevalent among many, and it extends beyond music.
What they're really saying is: "I want you to entertain me, but screw you for trying to make a living at it."
The way the audio industry has been measuring subwoofers for decades has turned out to be inadequate. But the new method they’ve come up with may be causing as much confusion as the old one.
The CEDIA Expo focuses on home theater sound, home automation, high-end video projection, and all sorts of toys for rich guys’ mansions. So I’m surprised to say that the first report I’m filing from the Expo is about headphones — a product that few custom installers even sell.
I've been living with my HTPC for just over a month now, and I've come up with enough new observations to warrant a new installment (well, maybe enough to fill a bunch of articles) so. . . behold!
Been setting up your own living-room computer? Read on for my latest tips, tricks, and plain old complaints. I think most of you will find some of these useful. And some of you - I hope - will find most.
Since that post, I've been presented countering opinions by musicians and music producers alike, and I've come away with a slightly different opinion. Perhaps I went too far.
Maybe back in the 1920s, when Sound + Vision was called Superheterodyne Journal, we might have reviewed some giant tube amplifier that put out 2 watts at full blast. But other than perhaps some forgotten device from audio's days of yore, this storied publication has never tested an amplifier so small, so weak, so limited in utility as the Qinpu Q-2.
Netflix announced this week that they were splitting their business, DVD/BD rentals on one side, streaming on the other.
By all accounts, this seems like a perfectly crafted way to auger the company into the ground. Everyone hates it, customers are fleeing, there's no way it can work.
I don't understand some people. Ok, a lot of people. Internet people, mostly. The type of people with the need to proselytize their views about meaningless crap.
You know, like what I do. Only, not paid.
These malcontents have a passion for posting vitriol wherever their sensibilities about good and bad companies/products/technologies are impugned.
I'd expected a kind of This Is Your Life thing, where partygoers would be "treated" to a recitation of five decades of milestones. But the 50th anniversary party for speaker manufacturer KEF at the British Consulate in Manhattan was anything but a long look backward.
Somehow when I was walking around last month’s CEDIA Expo, I completely missed what must surely be the biggest, baddest, most expensive in-wall speaker ever created.
It's an interesting thing, this. A tweaky audiophile program that strips away all the junk your computer could be doing while playing back your digital audio files.
The idea is to give each file as good an environment for playback as possible, minimizing jitter and maximizing sound quality.