Software Reviews
Audio: 4
Video: 5
Extras: 4
![](http://www.hometheatermag.com/newsart/feb142003.xmen.jpg)
Extras on disc one include commentary by director Bryan Singer and a branching version of the movie that, when accessed, shows deleted scenes and some fairly interesting behind-the-scenes footage. Unfortunately, you can only access these extras while you watch the movie, which, with the interruptions, is exceedingly long. You can't fast-forward to each branch or view the extras separately like you could on the original DVD. The second disc offers interviews, documentaries, and more behind-the-scenes footage. There's also behind-the-scenes material on X-Men 2, but why anyone would want to watch that before the movie comes out is beyond me. If you already own X-Men on DVD, there's barely enough new material here to warrant a rental. If you're looking to buy it for the first time, though, this is the version to get.—Geoffrey Morrison
DVD: Spy Kids 2: The Island of Lost Dreams—Buena Vista
Audio: 5
Video: 4
Extras: 4
Last year's Spy Kids was no fluke. Robert Rodriguez, who began his career creating mayhem-filled shoot-'em-ups, has now made two imaginative, highly original family movies. In this case, the sequel is as strong as the original. Spy Kids 2 is a James-Bond-meets-The-Lost-World swirl of fantastic gadgets, family values, and homages to screen icons ranging from Indiana Jones to Ray Harryhausen. Rodriguez has the perfect creative touch for this kind of film: It's a fast-paced, action-packed movie that has just enough gross-out humor to entertain the older kids without being too scary (or too gross) for little viewers.
The disc's 1.85:1 anamorphic transfer is true to Rodriguez's warm, Southwestern palette, but its clarity tends to give away some of the green-screen special effects. The Dolby Digital 5.1 soundtrack is as bright and booming as a live-action cartoon should be. Rodriguez has crammed a remarkable amount of tips, tricks, and behind-the-scenes minutiae into two of the DVD's special features. Budding filmmakers, take note: Rodriguez's mile-a-minute commentary track and the "Ten-Minute Film School" featurette probably contain more real-world lessons than a semester's worth of classes at some highfalutin university. Sadly, the rest of the bonus tracks aren't nearly as good; some are even downright lame, for kids or adults. That's easily fixed, though. Just flip back to the movie.—Drew Hardin
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