Contrast is what makes OLED TVs excel on HDR, even though they can't match the brightness of top of the line LED tvs.
The same is the case for the new JVC-DLA line up of projectors when compared to the Sony 285ES or the Optoma new DLP4k, UHD65. The JVC beats them due to its excellent black levels and high contrast.
The Epson 5040 blows away its little sister the 4000 mainly due to the much improved black level and contrast.
The $500 price difference is worth it.
I know, I own an Epson 5040.
At current market price of $2,500 to $2,700 the Epson 5040 is a steal.
The 4000 at $2,000 to $2,200 has to compete against the Optoma UHD60 and its a loosing proposition.
Epson Home Cinema 4000 4K Enhanced 3LCD Projector Review Settings
Unit-to-unit sample variations, the viewing environment, the source and, particularly in a projector, the screen size and gain, the distance from the projector to the screen, and the lamp age, might render these recommendations less than optimum. They are only provided as a potentially useful starting place.
The settings here that are most likely to translate reliably from one sample to another are those involving specific features with only a few selections, such as Gamma and Noise Reduction. The ones most likely to be subject to sample variations are video controls offering a wide range of adjustment, such as white balance (grayscale) and color management (where available). Even relatively small differences in the common control settings, such as Contrast, Black level, and Gamma, can shift the white balance, though the resulting visible change may be minor. Production tolerances can do the same.
We strongly recommend that you find the optimum basic video settings for your sample by using one of the many available display setup discs, such as Digital Video Essentials HD Basics (Blu-ray). These will help you to set the basic controls, Brightness (Black level), Contrast (called “Picture” in Sony sets), Sharpness, and sometimes Color and Tint, correctly. Experimenting with the more complex color calibration and other controls in the user menus will do no harm; the changes may be easily reset. But adjusting these by eye is unlikely to produce an accurate result and is no substitute for a full calibration. The latter is best left to a trained and properly equipped technician such as those certified by the Imaging Science Foundation (ISF) or THX.
The settings here are for 2D only. The display was not calibrated for 3D.
HD/SDR | UHD/HDR | ||
Image | |||
Color Mode | Cinema | Bright Cinema | |
Brightness | 51 | 49-51 | |
Contrast | 50 | 70-90 | |
Color Saturation | 50 | 47 | |
Tint | 50 | 50 | |
Sharpness | |||
Standard | 8 | 8 | |
Thin Line Enhancement | 12 | 12 | |
Thick Line Enhancement | 12 | 12 | |
Color Temp… | |||
Color Temp. | 5 | 5 | |
Skin Tone | 0 | 0 |
Customized
Gain | Offset | Gain | Offset | |
Red | 50 | 51 | 48 | 43 |
Green | 51 | 69 | 61 | 63 |
Blue | 50 | 40 | 50 | 42 |
(Frame Interpolation) | Off (when available) | Off (when available) |
Image Enhancement | ||
4K Enhancement | Off | On (undefeatable) |
Image Preset Mode | Preset 2 | Preset 1 |
Noise Reduction | 0 | 0 |
MPEG Noise Reduction | 0 | 0 |
Super Resolution | ||
Fine Line Adjust | 0 | 0 |
Soft Focus Detail | 0 | 0 |
Detail Enhancement | ||
Strength | 0 | 0 |
Range | 0 | 0 |
Advanced | ||
Gamma | -1 | 2 |
RGBCMY (CMS: See below) | ||
(Deinterlacing) | ||
Epson Super White | Off | Off |
Power Consumption | Medium | High |
Auto Iris | High Speed | High Speed |
Signal | ||
3D Setup… | As needed | As needed |
Aspect | Normal | Normal |
Overscan | Off | Off |
Blanking | all 0 | all 0 |
Advanced | ||
Color Space | Auto | Auto |
Dynamic Range | Auto | Auto |
Image Processing | Fine | Fine |
Settings | ||
Keystone | 0 | 0 |
Memory… | As needed | As needed |
Extended | ||
Panel Alignment | Not used | Not used |
Color Uniformity | Not used | Not used |
(Others: Utility functions such as Menu Position, etc.)
Info
Includes Lamp hours, Source, Input Signal, Resolution, Scan Mode, Refresh Rate, 3D format, Sync Info, Color Depth (bit depth, subsampling), Color Format (Color gamut, HDR/SDR)
RGBCMY (CMS) HD/SDR
Red | Green | Blue | Cyan | Magenta | Yellow | ||
Hue | 57 | 61 | 23 | 50 | 69 | 48 | |
Saturation | 9 | 4 | 48 | 0 | 3 | 2 | |
Brightness | 75 | 86 | 48 | 89 | 67 | 84 |
RGBCMY (CMS) UHD/HDR
Red | Green | Blue | Cyan | Magenta | Yellow | ||
Hue | 54 | 78 | 64 | 67 | 70 | 43 | |
Saturation | 51 | 100 | 77 | 50 | 83 | 64 | |
Brightness | 100 | 45 | 49 | 50 | 50 | 100 |
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Based on your knowledge of this projector and the Sony VPL HW30ES, would you say this is an upgrade in anyway or would the 5040ub be a better replacement ? Thanks.
Every HDR disc I've seen so far- Yes On HDR TV (A Sony flagship from a couple of years), have looked too exaggerated too fake and too unrealistic. Face it, HDR is not reality. If you look out your window, then look at the TV with HDR, you'll know exactly what I mean.